Chicano Art Inside/Outside the Master’s House

Cultural Politics and the CARA Exhibition

Nonfiction, Art & Architecture, General Art, Art History, American
Cover of the book Chicano Art Inside/Outside the Master’s House by Alicia Gaspar de Alba, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alicia Gaspar de Alba ISBN: 9780292788985
Publisher: University of Texas Press Publication: July 5, 2010
Imprint: University of Texas Press Language: English
Author: Alicia Gaspar de Alba
ISBN: 9780292788985
Publisher: University of Texas Press
Publication: July 5, 2010
Imprint: University of Texas Press
Language: English
In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S.This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally.Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S.This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally.Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields.

More books from University of Texas Press

Cover of the book Migrant Song by Alicia Gaspar de Alba
Cover of the book Breaking Out of Beginner’s Spanish by Alicia Gaspar de Alba
Cover of the book Battle on the Bay by Alicia Gaspar de Alba
Cover of the book Invisible in Austin by Alicia Gaspar de Alba
Cover of the book The City Moves West by Alicia Gaspar de Alba
Cover of the book Women's Lives in Colonial Quito by Alicia Gaspar de Alba
Cover of the book Foreign Policy and Economic Dependence by Alicia Gaspar de Alba
Cover of the book The Huarochiri Manuscript by Alicia Gaspar de Alba
Cover of the book Red Line by Alicia Gaspar de Alba
Cover of the book Duchess of Palms by Alicia Gaspar de Alba
Cover of the book Sound Design and Science Fiction by Alicia Gaspar de Alba
Cover of the book Black Texas Women by Alicia Gaspar de Alba
Cover of the book Cuba and the Politics of Passion by Alicia Gaspar de Alba
Cover of the book Pillar of Salt by Alicia Gaspar de Alba
Cover of the book Literature and Politics in the Central American Revolutions by Alicia Gaspar de Alba
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy