Church Music and Protestantism in Post-Reformation England

Discourses, Sites and Identities

Nonfiction, History
Cover of the book Church Music and Protestantism in Post-Reformation England by Jonathan Willis, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jonathan Willis ISBN: 9781317166238
Publisher: Taylor and Francis Publication: May 23, 2016
Imprint: Routledge Language: English
Author: Jonathan Willis
ISBN: 9781317166238
Publisher: Taylor and Francis
Publication: May 23, 2016
Imprint: Routledge
Language: English

'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.

More books from Taylor and Francis

Cover of the book The Routledge Companion to Dyslexia by Jonathan Willis
Cover of the book Straight Talk by Jonathan Willis
Cover of the book Ancient Peoples of the Great Basin and Colorado Plateau by Jonathan Willis
Cover of the book S. J. Perelman by Jonathan Willis
Cover of the book Housing Policy in Britain and Europe by Jonathan Willis
Cover of the book Crime, Gender and Consumer Culture in Nineteenth-Century England by Jonathan Willis
Cover of the book Welfare & Competition by Jonathan Willis
Cover of the book Using Story by Jonathan Willis
Cover of the book Rape Work by Jonathan Willis
Cover of the book Audience Research Methodologies by Jonathan Willis
Cover of the book In Other Worlds by Jonathan Willis
Cover of the book Urban Economics and Land Use in America: The Transformation of Cities in the Twentieth Century by Jonathan Willis
Cover of the book Dictionary of Visual Discourse by Jonathan Willis
Cover of the book The Last Battle on English Soil, Preston 1715 by Jonathan Willis
Cover of the book Betweenity by Jonathan Willis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy