Claude Debussy Piano Music 1888-1905

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical
Cover of the book Claude Debussy Piano Music 1888-1905 by Claude Debussy, Dover Publications
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Author: Claude Debussy ISBN: 9780486311548
Publisher: Dover Publications Publication: April 19, 2013
Imprint: Dover Publications Language: English
Author: Claude Debussy
ISBN: 9780486311548
Publisher: Dover Publications
Publication: April 19, 2013
Imprint: Dover Publications
Language: English

This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.

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This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.

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