Collaboration in Performance Practice

Premises, Workings and Failures

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book Collaboration in Performance Practice by , Palgrave Macmillan UK
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781137462466
Publisher: Palgrave Macmillan UK Publication: April 29, 2016
Imprint: Palgrave Macmillan Language: English
Author:
ISBN: 9781137462466
Publisher: Palgrave Macmillan UK
Publication: April 29, 2016
Imprint: Palgrave Macmillan
Language: English

Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.

More books from Palgrave Macmillan UK

Cover of the book Luxury Online by
Cover of the book Ageing, Narrative and Identity by
Cover of the book The Manipulation of Online Self-Presentation by
Cover of the book Knowing Mothers by
Cover of the book Women on Screen by
Cover of the book International Order at Sea by
Cover of the book International Political Theory after Hobbes by
Cover of the book Taking Fame to Market by
Cover of the book Narratives of Place, Belonging and Language by
Cover of the book A Wittgensteinian Perspective on the Use of Conceptual Analysis in Psychology by
Cover of the book Rethinking Civic Participation in Democratic Theory and Practice by
Cover of the book The Wind of Change by
Cover of the book Empathy and its Limits by
Cover of the book Britain's Imperial Muse by
Cover of the book Foucault on the Politics of Parrhesia by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy