Continental Strangers

German Exile Cinema, 1933-1951

Nonfiction, Entertainment, Film, History & Criticism, History, Americas, United States, 20th Century
Cover of the book Continental Strangers by Gerd Gemünden, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gerd Gemünden ISBN: 9780231536523
Publisher: Columbia University Press Publication: January 21, 2014
Imprint: Columbia University Press Language: English
Author: Gerd Gemünden
ISBN: 9780231536523
Publisher: Columbia University Press
Publication: January 21, 2014
Imprint: Columbia University Press
Language: English

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

More books from Columbia University Press

Cover of the book Between Men by Gerd Gemünden
Cover of the book Learn or Die by Gerd Gemünden
Cover of the book Spiritual Assessment in Social Work and Mental Health Practice by Gerd Gemünden
Cover of the book The Forms of Youth by Gerd Gemünden
Cover of the book Prison Movies by Gerd Gemünden
Cover of the book The Platform Sutra of the Sixth Patriarch by Gerd Gemünden
Cover of the book Morphing Intelligence by Gerd Gemünden
Cover of the book Stand, Columbia by Gerd Gemünden
Cover of the book Governing Access to Essential Resources by Gerd Gemünden
Cover of the book The Cinema of Werner Herzog by Gerd Gemünden
Cover of the book Reforming Democracies by Gerd Gemünden
Cover of the book Global Cinematic Cities by Gerd Gemünden
Cover of the book The Diagnostic System by Gerd Gemünden
Cover of the book On Becoming a Rock Musician by Gerd Gemünden
Cover of the book Buddhism and Science by Gerd Gemünden
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy