Conversations with Gus Van Sant

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Conversations with Gus Van Sant by Mario Falsetto, Rowman & Littlefield Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mario Falsetto ISBN: 9781442247673
Publisher: Rowman & Littlefield Publishers Publication: March 12, 2015
Imprint: Rowman & Littlefield Publishers Language: English
Author: Mario Falsetto
ISBN: 9781442247673
Publisher: Rowman & Littlefield Publishers
Publication: March 12, 2015
Imprint: Rowman & Littlefield Publishers
Language: English

One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers.

Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death.

From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers.

Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death.

From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years.

More books from Rowman & Littlefield Publishers

Cover of the book Screen Saviors by Mario Falsetto
Cover of the book Real life in Castro's Cuba by Mario Falsetto
Cover of the book Paths to Making a Difference by Mario Falsetto
Cover of the book Racial Oppression in the Global Metropolis by Mario Falsetto
Cover of the book Moral Images of Freedom by Mario Falsetto
Cover of the book Letters to an Atheist by Mario Falsetto
Cover of the book Adolescents Rewrite their Worlds by Mario Falsetto
Cover of the book Dean Acheson and the Obligations of Power by Mario Falsetto
Cover of the book Health Sciences Collection Management for the Twenty-First Century by Mario Falsetto
Cover of the book Folk Legends from Tono by Mario Falsetto
Cover of the book Inclusive Feminism by Mario Falsetto
Cover of the book Disasters in Field Research by Mario Falsetto
Cover of the book Conventional Wisdom and American Elections by Mario Falsetto
Cover of the book Conquering the Electron by Mario Falsetto
Cover of the book Working Toward Success by Mario Falsetto
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy