Conversations With Van Gogh

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture
Cover of the book Conversations With Van Gogh by Simon Parke, Vincent Van Gogh, White Crow Productions Ltd
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Simon Parke, Vincent Van Gogh ISBN: 9781907355967
Publisher: White Crow Productions Ltd Publication: March 1, 2010
Imprint: White Crow Books Language: English
Author: Simon Parke, Vincent Van Gogh
ISBN: 9781907355967
Publisher: White Crow Productions Ltd
Publication: March 1, 2010
Imprint: White Crow Books
Language: English

Vincent van Gogh is best known for two things - his sunflowers and his ear-cutting. But there are many other ways of knowing this remarkable son of a Dutch pastor, who left his chill homeland for the sunshine of Arles in the South of France; and left us over a thousand frank letters of struggle and joy, to help us glimpse his inner world.Vincent came late to painting after spending time in London trying to be a Christian missionary. And though he is now amongst the most famous artists on earth, in his day, no one saw him coming - apart from one French art critic called Aurier. It is possible he never sold one of his paintings in his life time.When he discovered the sun in Arles, he also discovered energy. Yellow for him was the colour of hope, and in his last two years he painted almost a canvass a day. But hope ran out on July 27th , 1890 when he shot himself, aged 37. He was at this time six months out of a mental institution, where perhaps he experienced his greatest calm. Vincent compared himself to a stunted plant; damaged by the emotional frost of his childhood. 'Conversations with Van Gogh' is an imagined conversation with this remarkable figure. But while the conversation is imagined, Van Gogh's words are not; they are all authentically his. ''Speaking with Vincent - which he insists on being called - was a privilege,' says Simon Parke. 'He's endlessly fascinating, contradictory, moving, funny, insightful and tragic. There's a fury in him; but also a great kindness. He found harmony in human relationships elusive; his love life was a painful shambles. But with colour, he was a harmonic genius, and he has much to say about this. And here's the thing: for a man who killed himself - he died in the arms of his brother on July 29th - spending time with him was never anything but life-affirming.'

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Vincent van Gogh is best known for two things - his sunflowers and his ear-cutting. But there are many other ways of knowing this remarkable son of a Dutch pastor, who left his chill homeland for the sunshine of Arles in the South of France; and left us over a thousand frank letters of struggle and joy, to help us glimpse his inner world.Vincent came late to painting after spending time in London trying to be a Christian missionary. And though he is now amongst the most famous artists on earth, in his day, no one saw him coming - apart from one French art critic called Aurier. It is possible he never sold one of his paintings in his life time.When he discovered the sun in Arles, he also discovered energy. Yellow for him was the colour of hope, and in his last two years he painted almost a canvass a day. But hope ran out on July 27th , 1890 when he shot himself, aged 37. He was at this time six months out of a mental institution, where perhaps he experienced his greatest calm. Vincent compared himself to a stunted plant; damaged by the emotional frost of his childhood. 'Conversations with Van Gogh' is an imagined conversation with this remarkable figure. But while the conversation is imagined, Van Gogh's words are not; they are all authentically his. ''Speaking with Vincent - which he insists on being called - was a privilege,' says Simon Parke. 'He's endlessly fascinating, contradictory, moving, funny, insightful and tragic. There's a fury in him; but also a great kindness. He found harmony in human relationships elusive; his love life was a painful shambles. But with colour, he was a harmonic genius, and he has much to say about this. And here's the thing: for a man who killed himself - he died in the arms of his brother on July 29th - spending time with him was never anything but life-affirming.'

More books from White Crow Productions Ltd

Cover of the book God’s Fingerprints: Impressions of Near Death Experiences by Simon Parke, Vincent Van Gogh
Cover of the book What is Religion: and other writings by Simon Parke, Vincent Van Gogh
Cover of the book A Lawyer Presents the Evidence for the Afterlife by Simon Parke, Vincent Van Gogh
Cover of the book Conversations with Mozart by Simon Parke, Vincent Van Gogh
Cover of the book Geraldine Cummins: An Appreciation by Simon Parke, Vincent Van Gogh
Cover of the book War Letters from the Living Dead Man by Simon Parke, Vincent Van Gogh
Cover of the book Conversations with Arthur Conan Doyle by Simon Parke, Vincent Van Gogh
Cover of the book Heretics by Simon Parke, Vincent Van Gogh
Cover of the book Private Dowding: The personal story of a soldier killed in battle by Simon Parke, Vincent Van Gogh
Cover of the book Dead Men Talking: Afterlife Communication from World War I by Simon Parke, Vincent Van Gogh
Cover of the book The Imprisoned Splendor by Simon Parke, Vincent Van Gogh
Cover of the book The Truth in the Light by Simon Parke, Vincent Van Gogh
Cover of the book Afterlife Teaching from Stephen the Martyr by Simon Parke, Vincent Van Gogh
Cover of the book The Mystery of the Buried Crosses by Simon Parke, Vincent Van Gogh
Cover of the book On the Threshold of the Unseen by Simon Parke, Vincent Van Gogh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy