Country Music as Reflection on the American Culture

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Country Music as Reflection on the American Culture by Juliane Hanka, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Juliane Hanka ISBN: 9783638356497
Publisher: GRIN Publishing Publication: March 10, 2005
Imprint: GRIN Publishing Language: English
Author: Juliane Hanka
ISBN: 9783638356497
Publisher: GRIN Publishing
Publication: March 10, 2005
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject American Studies - Culture and Applied Geography, grade: 1,5, Dresden Technical University (Unstitut für Anglistik/Amerikanistik), course: Readings in North American Cultural Studies, 14 entries in the bibliography, language: English, abstract: In my term paper I will examine the question 'Why is Country Music in America so popular?' Therefore, I will concentrate on the development of country music from traditional folk music to commercial music. I will reflect on the influences of the immigrants who entered the USA to build a brave new world, different to the old wo rld of Europe, which they assumed to be overpopulated and morally corrupt. On the basis of several selected books and articles, like those of Bill Malone, Seymor Martin Lipset and Rachel Rubin, I will emphasize the meaning of the most traditional music of America. Analyzing changes in the musical development, I will explain them as a consequence of the country's changing social circumstances by using the example of the Bakersfield movement in the 1930s. I will furthermore outline the most important facts and events regarding the music, including the life and work of Merle Haggard, who perfectly represented the theme of nostalgia in country music. At the end, I will emphasize the commercial aspect of country music, its Western image and the high efficiency of the Nashville music publishing industry.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject American Studies - Culture and Applied Geography, grade: 1,5, Dresden Technical University (Unstitut für Anglistik/Amerikanistik), course: Readings in North American Cultural Studies, 14 entries in the bibliography, language: English, abstract: In my term paper I will examine the question 'Why is Country Music in America so popular?' Therefore, I will concentrate on the development of country music from traditional folk music to commercial music. I will reflect on the influences of the immigrants who entered the USA to build a brave new world, different to the old wo rld of Europe, which they assumed to be overpopulated and morally corrupt. On the basis of several selected books and articles, like those of Bill Malone, Seymor Martin Lipset and Rachel Rubin, I will emphasize the meaning of the most traditional music of America. Analyzing changes in the musical development, I will explain them as a consequence of the country's changing social circumstances by using the example of the Bakersfield movement in the 1930s. I will furthermore outline the most important facts and events regarding the music, including the life and work of Merle Haggard, who perfectly represented the theme of nostalgia in country music. At the end, I will emphasize the commercial aspect of country music, its Western image and the high efficiency of the Nashville music publishing industry.

More books from GRIN Publishing

Cover of the book A critical comparison of Internationalisation theories: Eclectic Paradigm of Dunning vs. Uppsala School by Juliane Hanka
Cover of the book 'The History Man' and 'The Affair' by Juliane Hanka
Cover of the book Tricky Intuitions by Juliane Hanka
Cover of the book Reforms for political and economic independence by Juliane Hanka
Cover of the book Explaining the Meaning of Words: A Descriptive Study on Strategies by Juliane Hanka
Cover of the book Interpretation of Walker Evans´photograph from 'Let Us Now Praise Famous Men' and Gertrude Stein´s portrait of Picasso by Juliane Hanka
Cover of the book The Moon is Down and A Bell for Adano: Two specific examples of American propaganda literature in the Second World War by Juliane Hanka
Cover of the book Corporate finance and the theory of the firm by Juliane Hanka
Cover of the book Filmmusikanalyse/-protokoll zu '23 Nichts ist so wie es scheint' by Juliane Hanka
Cover of the book Civil Society in Modern Democracies by Juliane Hanka
Cover of the book The Representation of Gender in Walt Disney's 'Mulan' by Juliane Hanka
Cover of the book When should an Original Equipment Manufacturer (OEM) remanufacture? by Juliane Hanka
Cover of the book The Idea of the 'Fetish' in Ballard's 'Crash' by Juliane Hanka
Cover of the book A European Identity sets limits to EU Expansion by Juliane Hanka
Cover of the book Great Britain and European Integration - The Reluctant Nation by Juliane Hanka
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy