Criminal Law and the Modernist Novel

Experience on Trial

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Criminal Law and the Modernist Novel by Rex Ferguson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rex Ferguson ISBN: 9781107357389
Publisher: Cambridge University Press Publication: July 8, 2013
Imprint: Cambridge University Press Language: English
Author: Rex Ferguson
ISBN: 9781107357389
Publisher: Cambridge University Press
Publication: July 8, 2013
Imprint: Cambridge University Press
Language: English

The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.

More books from Cambridge University Press

Cover of the book Insurance in Elizabethan England by Rex Ferguson
Cover of the book Buoyancy-Driven Flows by Rex Ferguson
Cover of the book Wilhelm II by Rex Ferguson
Cover of the book Collective Remembering by Rex Ferguson
Cover of the book The Cambridge Handbook of Evolutionary Ethics by Rex Ferguson
Cover of the book Refugee Law's Fact-Finding Crisis by Rex Ferguson
Cover of the book Civil Liability and Financial Security for Offshore Oil and Gas Activities by Rex Ferguson
Cover of the book Hurricane Katrina and the Forgotten Coast of Mississippi by Rex Ferguson
Cover of the book Proactive Support of Labor by Rex Ferguson
Cover of the book The Eschatology of 1 Peter by Rex Ferguson
Cover of the book The Global Right Wing and the Clash of World Politics by Rex Ferguson
Cover of the book Necessary Evils by Rex Ferguson
Cover of the book The Printing Revolution in Early Modern Europe by Rex Ferguson
Cover of the book Hume and the Politics of Enlightenment by Rex Ferguson
Cover of the book Case Studies in Sleep Neurology by Rex Ferguson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy