Critical Race Theory and Copyright in American Dance

Whiteness as Status Property

Nonfiction, Reference & Language, Law, Media & the Law, Commercial, Art & Architecture, General Art
Cover of the book Critical Race Theory and Copyright in American Dance by Caroline Joan S. Picart, Palgrave Macmillan US
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Author: Caroline Joan S. Picart ISBN: 9781137321978
Publisher: Palgrave Macmillan US Publication: November 7, 2013
Imprint: Palgrave Macmillan Language: English
Author: Caroline Joan S. Picart
ISBN: 9781137321978
Publisher: Palgrave Macmillan US
Publication: November 7, 2013
Imprint: Palgrave Macmillan
Language: English
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

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