Critical Theory and Film

Rethinking Ideology Through Film Noir

Nonfiction, Social & Cultural Studies, Political Science, Politics, History & Theory
Cover of the book Critical Theory and Film by Dr Fabio Vighi, Bloomsbury Publishing
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Author: Dr Fabio Vighi ISBN: 9781441124937
Publisher: Bloomsbury Publishing Publication: May 3, 2012
Imprint: Continuum Language: English
Author: Dr Fabio Vighi
ISBN: 9781441124937
Publisher: Bloomsbury Publishing
Publication: May 3, 2012
Imprint: Continuum
Language: English

Critical Theory and Film brings together critical theory and film to enhance the critical potential of both.

The book focuses on the Frankfurt School, most notably the works of Adorno and Horkheimer, as well as associated thinkers.
It seeks to demonstrate that cinema can help critical theory repoliticize culture and society and affirm the theoretical and political impact of cinematic knowledge. After discussing how the Frankfurt School saw cinema as an instrument of capitalism use to promote the cultural and political regimentation of the masses, Vighi then proceeds to demonstrate that critical theory can in fact suggest a different verdict on the progressive potential of cinema.

Each chapter focuses on a key critical theory concept that is explained and redefined through film analysis to unravel the hidden presuppositions and most radical consequences of critical theory.

A unique contribution to the literature, this volume in the Critical Theory and Contemporary Society series offer an innovative reading of film as a critical tool, drawing on the latest developments in Lacanian theory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Critical Theory and Film brings together critical theory and film to enhance the critical potential of both.

The book focuses on the Frankfurt School, most notably the works of Adorno and Horkheimer, as well as associated thinkers.
It seeks to demonstrate that cinema can help critical theory repoliticize culture and society and affirm the theoretical and political impact of cinematic knowledge. After discussing how the Frankfurt School saw cinema as an instrument of capitalism use to promote the cultural and political regimentation of the masses, Vighi then proceeds to demonstrate that critical theory can in fact suggest a different verdict on the progressive potential of cinema.

Each chapter focuses on a key critical theory concept that is explained and redefined through film analysis to unravel the hidden presuppositions and most radical consequences of critical theory.

A unique contribution to the literature, this volume in the Critical Theory and Contemporary Society series offer an innovative reading of film as a critical tool, drawing on the latest developments in Lacanian theory.

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