Cultural Science

A Natural History of Stories, Demes, Knowledge and Innovation

Nonfiction, Social & Cultural Studies, Social Science, Anthropology, Business & Finance
Cover of the book Cultural Science by Prof. John Hartley, Dr. Jason Potts, Bloomsbury Publishing
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Author: Prof. John Hartley, Dr. Jason Potts ISBN: 9781849666039
Publisher: Bloomsbury Publishing Publication: September 25, 2014
Imprint: Bloomsbury Academic Language: English
Author: Prof. John Hartley, Dr. Jason Potts
ISBN: 9781849666039
Publisher: Bloomsbury Publishing
Publication: September 25, 2014
Imprint: Bloomsbury Academic
Language: English

Cultural Science introduces a new way of thinking about culture. Adopting an evolutionary and systems approach, the authors argue that culture is the population-wide source of newness and innovation; it faces the future, not the past. Its chief characteristic is the formation of groups or 'demes' (organised and productive subpopulation; 'demos'). Demes are the means for creating, distributing and growing knowledge. However, such groups are competitive and knowledge-systems are adversarial.

Starting from a rereading of Darwinian evolutionary theory, the book utilises multidisciplinary resources: Raymond Williams's 'culture is ordinary' approach; evolutionary science (e.g. Mark Pagel and Herbert Gintis); semiotics (Yuri Lotman); and economic theory (from Schumpeter to McCloskey).

Successive chapters argue that:

-Culture and knowledge need to be understood from an externalist ('linked brains') perspective, rather than through the lens of individual behaviour;

-Demes are created by culture, especially storytelling, which in turn constitutes both politics and economics;

-The clash of systems - including demes - is productive of newness, meaningfulness and successful reproduction of culture;

-Contemporary urban culture and citizenship can best be explained by investigating how culture is used, and how newness and innovation emerge from unstable and contested boundaries between different meaning systems;

-The evolution of culture is a process of technologically enabled 'demic concentration' of knowledge, across overlapping meaning-systems or semiospheres; a process where the number of demes accessible to any individual has increased at an accelerating rate, resulting in new problems of scale and coordination for cultural science to address.

The book argues for interdisciplinary 'consilience', linking evolutionary and complexity theory in the natural sciences, economics and anthropology in the social sciences, and cultural, communication and media studies in the humanities and creative arts. It describes what is needed for a new 'modern synthesis' for the cultural sciences. It combines analytical and historical methods, to provide a framework for a general reconceptualisation of the theory of culture – one that is focused not on its political or customary aspects but rather its evolutionary significance as a generator of newness and innovation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cultural Science introduces a new way of thinking about culture. Adopting an evolutionary and systems approach, the authors argue that culture is the population-wide source of newness and innovation; it faces the future, not the past. Its chief characteristic is the formation of groups or 'demes' (organised and productive subpopulation; 'demos'). Demes are the means for creating, distributing and growing knowledge. However, such groups are competitive and knowledge-systems are adversarial.

Starting from a rereading of Darwinian evolutionary theory, the book utilises multidisciplinary resources: Raymond Williams's 'culture is ordinary' approach; evolutionary science (e.g. Mark Pagel and Herbert Gintis); semiotics (Yuri Lotman); and economic theory (from Schumpeter to McCloskey).

Successive chapters argue that:

-Culture and knowledge need to be understood from an externalist ('linked brains') perspective, rather than through the lens of individual behaviour;

-Demes are created by culture, especially storytelling, which in turn constitutes both politics and economics;

-The clash of systems - including demes - is productive of newness, meaningfulness and successful reproduction of culture;

-Contemporary urban culture and citizenship can best be explained by investigating how culture is used, and how newness and innovation emerge from unstable and contested boundaries between different meaning systems;

-The evolution of culture is a process of technologically enabled 'demic concentration' of knowledge, across overlapping meaning-systems or semiospheres; a process where the number of demes accessible to any individual has increased at an accelerating rate, resulting in new problems of scale and coordination for cultural science to address.

The book argues for interdisciplinary 'consilience', linking evolutionary and complexity theory in the natural sciences, economics and anthropology in the social sciences, and cultural, communication and media studies in the humanities and creative arts. It describes what is needed for a new 'modern synthesis' for the cultural sciences. It combines analytical and historical methods, to provide a framework for a general reconceptualisation of the theory of culture – one that is focused not on its political or customary aspects but rather its evolutionary significance as a generator of newness and innovation.

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