Cultural Specificity in Indonesian Film

Diversity in Unity

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Cultural Specificity in Indonesian Film by David Hanan, Springer International Publishing
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Author: David Hanan ISBN: 9783319408743
Publisher: Springer International Publishing Publication: February 16, 2017
Imprint: Palgrave Macmillan Language: English
Author: David Hanan
ISBN: 9783319408743
Publisher: Springer International Publishing
Publication: February 16, 2017
Imprint: Palgrave Macmillan
Language: English

This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways. 

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This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways. 

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