Curating Pop

Exhibiting Popular Music in the Museum

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Art & Architecture, General Art
Cover of the book Curating Pop by Dr Sarah Baker, Dr. Lauren Istvandity, Dr. Raphaël Nowak, Bloomsbury Publishing
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Author: Dr Sarah Baker, Dr. Lauren Istvandity, Dr. Raphaël Nowak ISBN: 9781501343599
Publisher: Bloomsbury Publishing Publication: June 27, 2019
Imprint: Bloomsbury Academic Language: English
Author: Dr Sarah Baker, Dr. Lauren Istvandity, Dr. Raphaël Nowak
ISBN: 9781501343599
Publisher: Bloomsbury Publishing
Publication: June 27, 2019
Imprint: Bloomsbury Academic
Language: English

Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.

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