| Author: | Sean Hill | ISBN: | 9781571318954 |
| Publisher: | Milkweed Editions | Publication: | January 21, 2014 |
| Imprint: | Milkweed Editions | Language: | English |
| Author: | Sean Hill |
| ISBN: | 9781571318954 |
| Publisher: | Milkweed Editions |
| Publication: | January 21, 2014 |
| Imprint: | Milkweed Editions |
| Language: | English |
From the poet whose stunning debut was praised as "transcendent" (Kevin Young) and "steadily confident" (Carl Phillips), Dangerous Goods tracks its speaker throughout North America and abroad, illuminating the ways in which home and place may inhabit one another comfortably or uncomfortably-or both simultaneously. From the Bahamas, London, and Cairo, to Bemidji, Minnesota, and Milledgeville, Georgia, Sean Hill interweaves the contemporary with the historical, and explores with urgency the relationship between travel, migration, alienation, and home. Here, playful "postcard" poems addressed to Nostalgia and My Third Crush Today sit alongside powerful reflections on the immigration of African Americans to Liberia during and after the era of slavery. Such range and formal innovation make Hill's second collection both rare and exhilarating. Part shadowbox, part migration map, part travelogue-in-verse, Dangerous Goods is poignant, elegant, and deeply moving.
From the poet whose stunning debut was praised as "transcendent" (Kevin Young) and "steadily confident" (Carl Phillips), Dangerous Goods tracks its speaker throughout North America and abroad, illuminating the ways in which home and place may inhabit one another comfortably or uncomfortably-or both simultaneously. From the Bahamas, London, and Cairo, to Bemidji, Minnesota, and Milledgeville, Georgia, Sean Hill interweaves the contemporary with the historical, and explores with urgency the relationship between travel, migration, alienation, and home. Here, playful "postcard" poems addressed to Nostalgia and My Third Crush Today sit alongside powerful reflections on the immigration of African Americans to Liberia during and after the era of slavery. Such range and formal innovation make Hill's second collection both rare and exhilarating. Part shadowbox, part migration map, part travelogue-in-verse, Dangerous Goods is poignant, elegant, and deeply moving.
