Danse Macabre

Temporalities of Law in the Visual Arts

Nonfiction, Reference & Language, Law, Jurisprudence, Art & Architecture, General Art
Cover of the book Danse Macabre by Desmond Manderson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Desmond Manderson ISBN: 9781108670456
Publisher: Cambridge University Press Publication: April 18, 2019
Imprint: Cambridge University Press Language: English
Author: Desmond Manderson
ISBN: 9781108670456
Publisher: Cambridge University Press
Publication: April 18, 2019
Imprint: Cambridge University Press
Language: English

The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

More books from Cambridge University Press

Cover of the book A History of Zimbabwe by Desmond Manderson
Cover of the book Jewish War under Trajan and Hadrian by Desmond Manderson
Cover of the book Across Forest, Steppe, and Mountain by Desmond Manderson
Cover of the book The Platonic Alcibiades I by Desmond Manderson
Cover of the book Modernism, Male Friendship, and the First World War by Desmond Manderson
Cover of the book Acute Care Nursing by Desmond Manderson
Cover of the book Telecommunication Network Economics by Desmond Manderson
Cover of the book An Introduction to EU Competition Law by Desmond Manderson
Cover of the book Myth, Ritual, and the Warrior in Roman and Indo-European Antiquity by Desmond Manderson
Cover of the book Understanding the Policymaking Process in Developing Countries by Desmond Manderson
Cover of the book Why Love Leads to Justice by Desmond Manderson
Cover of the book Sterilized by the State by Desmond Manderson
Cover of the book The Tokyo War Crimes Tribunal by Desmond Manderson
Cover of the book Sacred Violence by Desmond Manderson
Cover of the book Multiple True False Questions for the Final FFICM by Desmond Manderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy