Delius and the Sound of Place

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Delius and the Sound of Place by Daniel M. Grimley, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel M. Grimley ISBN: 9781108560313
Publisher: Cambridge University Press Publication: November 30, 2018
Imprint: Cambridge University Press Language: English
Author: Daniel M. Grimley
ISBN: 9781108560313
Publisher: Cambridge University Press
Publication: November 30, 2018
Imprint: Cambridge University Press
Language: English

Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.

More books from Cambridge University Press

Cover of the book The Cambridge Companion to Narrative by Daniel M. Grimley
Cover of the book Advanced Solid State Physics by Daniel M. Grimley
Cover of the book Clinical Infectious Disease by Daniel M. Grimley
Cover of the book How to Regulate by Daniel M. Grimley
Cover of the book International White Collar Crime by Daniel M. Grimley
Cover of the book Privacy, Big Data, and the Public Good by Daniel M. Grimley
Cover of the book The Good Communist by Daniel M. Grimley
Cover of the book Analytical Methods in Marine Hydrodynamics by Daniel M. Grimley
Cover of the book Community Forestry by Daniel M. Grimley
Cover of the book Representations and Characters of Groups by Daniel M. Grimley
Cover of the book Power in Movement by Daniel M. Grimley
Cover of the book Legal and Economic Principles of World Trade Law by Daniel M. Grimley
Cover of the book Disowning Knowledge by Daniel M. Grimley
Cover of the book Lincoln by Daniel M. Grimley
Cover of the book Roman Political Thought by Daniel M. Grimley
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy