Digital Cinema

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Digital Cinema by Stephen Prince, Rutgers University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Prince ISBN: 9780813596280
Publisher: Rutgers University Press Publication: January 18, 2019
Imprint: Rutgers University Press Language: English
Author: Stephen Prince
ISBN: 9780813596280
Publisher: Rutgers University Press
Publication: January 18, 2019
Imprint: Rutgers University Press
Language: English

Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence?
 
Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.  

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence?
 
Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.  

More books from Rutgers University Press

Cover of the book Why Public Higher Education Should Be Free by Stephen Prince
Cover of the book Gender Violence in Peace and War by Stephen Prince
Cover of the book The Jersey Shore by Stephen Prince
Cover of the book Disaster! by Stephen Prince
Cover of the book Indian Spectacle by Stephen Prince
Cover of the book Mapping Feminist Anthropology in the Twenty-First Century by Stephen Prince
Cover of the book The Price of Nuclear Power by Stephen Prince
Cover of the book Flickers of Film by Stephen Prince
Cover of the book Not Quite a Cancer Vaccine by Stephen Prince
Cover of the book Testing for Athlete Citizenship by Stephen Prince
Cover of the book Empowering Men of Color on Campus by Stephen Prince
Cover of the book The New Neighborhood Senior Center by Stephen Prince
Cover of the book Aphrodite's Daughters by Stephen Prince
Cover of the book Destructive Sublime by Stephen Prince
Cover of the book Discriminating Taste by Stephen Prince
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy