Dinosaur Jr.'s You're Living All Over Me

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Pop & Rock, Rock
Cover of the book Dinosaur Jr.'s You're Living All Over Me by Nick Attfield, Bloomsbury Publishing
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Author: Nick Attfield ISBN: 9781441199799
Publisher: Bloomsbury Publishing Publication: June 9, 2011
Imprint: Continuum Language: English
Author: Nick Attfield
ISBN: 9781441199799
Publisher: Bloomsbury Publishing
Publication: June 9, 2011
Imprint: Continuum
Language: English

Dinosaur Jr, the stereotypical slackers. Mascis, Barlow, Murph (just Murph): three early-twentysomethings still overburdened by a torpid adolescence and a disastrous dress sense. With battered guitar, bass, and kit, they carry around a catalogue of songs that betrays identities half-formed at best, schizoid at worst.

But listen. 1987, a new album, a snapshot of a moment when a furious musical intensity swung upwards and pushed their lyrics and Mascis's vocal whine far into the margins. Searing riffs, mountainous solos, and the tightest of fills – underpinned by stream-of-consciousness structures and a palette of crazed effects – steal the show. These three build a one-off sound that stirred up the hardening alternative mainstream and drove it to distraction. You're Living All Over Me: supposedly Mascis's indictment of what it was like to tour in a van with these other two misfits, but also testimony to the obsession – an itch, a disease – that the band's disengagement from their world had produced. This record cares so little it cares a lot.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Dinosaur Jr, the stereotypical slackers. Mascis, Barlow, Murph (just Murph): three early-twentysomethings still overburdened by a torpid adolescence and a disastrous dress sense. With battered guitar, bass, and kit, they carry around a catalogue of songs that betrays identities half-formed at best, schizoid at worst.

But listen. 1987, a new album, a snapshot of a moment when a furious musical intensity swung upwards and pushed their lyrics and Mascis's vocal whine far into the margins. Searing riffs, mountainous solos, and the tightest of fills – underpinned by stream-of-consciousness structures and a palette of crazed effects – steal the show. These three build a one-off sound that stirred up the hardening alternative mainstream and drove it to distraction. You're Living All Over Me: supposedly Mascis's indictment of what it was like to tour in a van with these other two misfits, but also testimony to the obsession – an itch, a disease – that the band's disengagement from their world had produced. This record cares so little it cares a lot.

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