Discourse and the Other

The Production of the Afro-American Text

Fiction & Literature, Literary Theory & Criticism, American
Cover of the book Discourse and the Other by W. Lawrence Hogue, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: W. Lawrence Hogue ISBN: 9780822382898
Publisher: Duke University Press Publication: November 25, 1986
Imprint: Duke University Press Books Language: English
Author: W. Lawrence Hogue
ISBN: 9780822382898
Publisher: Duke University Press
Publication: November 25, 1986
Imprint: Duke University Press Books
Language: English

The central thesis of Lawrence Hogue's book is that criticism of Afro-American literature has left out of account the way in which ideological pressures dictate the canon. This fresh approach to the study of the social, ideological, and political dynamics of the Afro-American literary text in the twentieth century, based on the Foucauldian concept of literature as social institution, examines the universalization that power effects, how literary texts are appropriated to meet ideological concerns and needs, and the continued oppression of dissenting voices.

Hogue presents an illuminating discussion of the publication and review history of "major" and neglected texts. He illustrates the acceptance of texts as exotica, as sociological documents, or as carriers of sufficient literary conventions to receive approbation. Although the sixties movement allowed the text to move to the periphery of the dominant ideology, providing some new myths about the Afro-American historical past, this marginal position was subsequently sabotaged, co-opted, or appropriated (Afros became a fad; presidents gave the soul handshake; the hip-talking black was dressing one style and talking another.)

This study includes extended discussion of four works; Ernest J. Gaines's The Autobiography of Miss Jane Pittman, Alice Walker's The Third Life of Grange Copeland, Albert Murray's Train Whistle Guitar, and Toni Morrison's Sula. Hogue assesses the informing worldviews of each and the extent and nature of their acceptance by the dominant American cultural apparatus.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The central thesis of Lawrence Hogue's book is that criticism of Afro-American literature has left out of account the way in which ideological pressures dictate the canon. This fresh approach to the study of the social, ideological, and political dynamics of the Afro-American literary text in the twentieth century, based on the Foucauldian concept of literature as social institution, examines the universalization that power effects, how literary texts are appropriated to meet ideological concerns and needs, and the continued oppression of dissenting voices.

Hogue presents an illuminating discussion of the publication and review history of "major" and neglected texts. He illustrates the acceptance of texts as exotica, as sociological documents, or as carriers of sufficient literary conventions to receive approbation. Although the sixties movement allowed the text to move to the periphery of the dominant ideology, providing some new myths about the Afro-American historical past, this marginal position was subsequently sabotaged, co-opted, or appropriated (Afros became a fad; presidents gave the soul handshake; the hip-talking black was dressing one style and talking another.)

This study includes extended discussion of four works; Ernest J. Gaines's The Autobiography of Miss Jane Pittman, Alice Walker's The Third Life of Grange Copeland, Albert Murray's Train Whistle Guitar, and Toni Morrison's Sula. Hogue assesses the informing worldviews of each and the extent and nature of their acceptance by the dominant American cultural apparatus.

More books from Duke University Press

Cover of the book The End of Japanese Cinema by W. Lawrence Hogue
Cover of the book A Report of the International Commission for Central American Recovery and Development by W. Lawrence Hogue
Cover of the book Crumpled Paper Boat by W. Lawrence Hogue
Cover of the book Power Lines by W. Lawrence Hogue
Cover of the book The Modernist Impulse in American Protestantism by W. Lawrence Hogue
Cover of the book Early Postmodernism by W. Lawrence Hogue
Cover of the book Lasting Legacy to the Carolinas by W. Lawrence Hogue
Cover of the book The Chile Reader by W. Lawrence Hogue
Cover of the book Culture Wars in Brazil by W. Lawrence Hogue
Cover of the book On Decoloniality by W. Lawrence Hogue
Cover of the book Shakespeare's Dramatic Transactions by W. Lawrence Hogue
Cover of the book Straight A's by W. Lawrence Hogue
Cover of the book Stringing Together a Nation by W. Lawrence Hogue
Cover of the book An Account of the Antiquities of the Indians by W. Lawrence Hogue
Cover of the book Makeover TV by W. Lawrence Hogue
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy