Dissonance in the Republic of Letters

The Querelle Des Gluckistes Et Des Piccinnistes

Nonfiction, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Dissonance in the Republic of Letters by Mark Darlow, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Darlow ISBN: 9781351192057
Publisher: Taylor and Francis Publication: December 2, 2017
Imprint: Routledge Language: English
Author: Mark Darlow
ISBN: 9781351192057
Publisher: Taylor and Francis
Publication: December 2, 2017
Imprint: Routledge
Language: English

"Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni. However, as this study shows, the Gluck-Piccinni controversy was about far more than which composer was better suited to lead French operatic reform. A consideration of cultural politics in 1770s Paris shows that a range of issues were at stake: court versus urban taste as the proper judge of music, whether amateurs or specialists should have the right to speak of opera, whether the epic or the tragic mode is more suited for drama reform, and even: why should the public argue about opera at all? Mark Darlow is Senior Lecturer in French at the University of Cambridge."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni. However, as this study shows, the Gluck-Piccinni controversy was about far more than which composer was better suited to lead French operatic reform. A consideration of cultural politics in 1770s Paris shows that a range of issues were at stake: court versus urban taste as the proper judge of music, whether amateurs or specialists should have the right to speak of opera, whether the epic or the tragic mode is more suited for drama reform, and even: why should the public argue about opera at all? Mark Darlow is Senior Lecturer in French at the University of Cambridge."

More books from Taylor and Francis

Cover of the book Voices from American Prisons by Mark Darlow
Cover of the book A History of Curiosity by Mark Darlow
Cover of the book Muslims, Identity, and American Politics by Mark Darlow
Cover of the book Managing Financial Institutions by Mark Darlow
Cover of the book Animals and Misanthropy by Mark Darlow
Cover of the book Gender, Race, and Office Holding in the United States by Mark Darlow
Cover of the book Managing the Effective Use of Equipment by Mark Darlow
Cover of the book Dancing Female by Mark Darlow
Cover of the book European Literary History by Mark Darlow
Cover of the book Interlibrary Loan/Document Delivery and Customer Satisfaction by Mark Darlow
Cover of the book Reading, Writing, and Errant Subjects in Inquisitorial Spain by Mark Darlow
Cover of the book The Romantics Reviewed by Mark Darlow
Cover of the book Applied Biostatistical Principles and Concepts by Mark Darlow
Cover of the book Mental Health and The Built Environment by Mark Darlow
Cover of the book Visual Identity: Promoting and Protecting the Public Face of an Organization by Mark Darlow
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy