Divine Horror

Essays on the Cinematic Battle Between the Sacred and the Diabolical

Nonfiction, Entertainment, Film, Religion & Spirituality
Cover of the book Divine Horror by , McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781476629841
Publisher: McFarland & Company, Inc., Publishers Publication: May 15, 2017
Imprint: Language: English
Author:
ISBN: 9781476629841
Publisher: McFarland & Company, Inc., Publishers
Publication: May 15, 2017
Imprint:
Language: English

From Rosemary’s Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground—but all of these may be turned from their original purpose. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From Rosemary’s Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground—but all of these may be turned from their original purpose. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).

More books from McFarland & Company, Inc., Publishers

Cover of the book The Tuskegee Veterans Hospital and Its Black Physicians by
Cover of the book The Flame Within by
Cover of the book Perspectives on Stephen King by
Cover of the book The Call to the Hall by
Cover of the book Gaston County, North Carolina, in the Civil War by
Cover of the book The Bennington School of the Dance by
Cover of the book Subversive Horror Cinema by
Cover of the book Death at the Ballpark by
Cover of the book The World of Shakespeare's Sonnets by
Cover of the book Sicilian Epic and the Marionette Theater by
Cover of the book The Rwandan Genocide on Film by
Cover of the book The Jean Harlow Films by
Cover of the book New Perceptions of the Vietnam War by
Cover of the book Cuban Cinema After the Cold War by
Cover of the book Hollywood Death and Scandal Sites by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy