Don Quixote

The Re-accentuation of the World’s Greatest Literary Hero

Fiction & Literature, Literary Theory & Criticism, European, Spanish & Portuguese
Cover of the book Don Quixote by Eduardo Urbina, Bruce R. Burningham, Emilio Martínez Mata, Ricardo Castells, Margarita Marinova, Rachel Schmidt, William Childers, Stephen Hessel, S. Alleyn Smythe, J. A. Garrido Ardila, Victor Fet, Steven Ritz-Barr, Fernando González Moreno, Scott Pollard, Tatevik Gyulamiryan, Bucknell University Press
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Author: Eduardo Urbina, Bruce R. Burningham, Emilio Martínez Mata, Ricardo Castells, Margarita Marinova, Rachel Schmidt, William Childers, Stephen Hessel, S. Alleyn Smythe, J. A. Garrido Ardila, Victor Fet, Steven Ritz-Barr, Fernando González Moreno, Scott Pollard, Tatevik Gyulamiryan ISBN: 9781611488586
Publisher: Bucknell University Press Publication: November 6, 2017
Imprint: Bucknell University Press Language: English
Author: Eduardo Urbina, Bruce R. Burningham, Emilio Martínez Mata, Ricardo Castells, Margarita Marinova, Rachel Schmidt, William Childers, Stephen Hessel, S. Alleyn Smythe, J. A. Garrido Ardila, Victor Fet, Steven Ritz-Barr, Fernando González Moreno, Scott Pollard, Tatevik Gyulamiryan
ISBN: 9781611488586
Publisher: Bucknell University Press
Publication: November 6, 2017
Imprint: Bucknell University Press
Language: English

This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world’s greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes’s title character has been reinterpreted to suit the needs of a variety of cultures across time and space.

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This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world’s greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes’s title character has been reinterpreted to suit the needs of a variety of cultures across time and space.

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