Droll Stories — Volume 1

Fiction & Literature, Historical
Cover of the book Droll Stories — Volume 1 by Honoré de Balzac, Release Date: November 27, 2011
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Author: Honoré de Balzac ISBN: 9782819935759
Publisher: Release Date: November 27, 2011 Publication: November 27, 2011
Imprint: pubOne.info Language: English
Author: Honoré de Balzac
ISBN: 9782819935759
Publisher: Release Date: November 27, 2011
Publication: November 27, 2011
Imprint: pubOne.info
Language: English
When, in March, 1832, the first volume of the now famous Contes Drolatiques was published by Gosselin of Paris, Balzac, in a short preface, written in the publisher's name, replied to those attacks which he anticipated certain critics would make upon his hardy experiment. He claimed for his book the protection of all those to whom literature was dear, because it was a work of art— and a work of art, in the highest sense of the word, it undoubtedly is. Like Boccaccio, Rabelais, the Queen of Navarre, Ariosto, and Verville, the great author of The Human Comedy has painted an epoch. In the fresh and wonderful language of the Merry Vicar Of Meudon, he has given us a marvellous picture of French life and manners in the sixteenth century. The gallant knights and merry dames of that eventful period of French history stand out in bold relief upon his canvas. The background in these life-like figures is, as it were, “sketched upon the spot. ” After reading the Contes Drolatiques, one could almost find one's way about the towns and villages of Touraine, unassisted by map or guide
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When, in March, 1832, the first volume of the now famous Contes Drolatiques was published by Gosselin of Paris, Balzac, in a short preface, written in the publisher's name, replied to those attacks which he anticipated certain critics would make upon his hardy experiment. He claimed for his book the protection of all those to whom literature was dear, because it was a work of art— and a work of art, in the highest sense of the word, it undoubtedly is. Like Boccaccio, Rabelais, the Queen of Navarre, Ariosto, and Verville, the great author of The Human Comedy has painted an epoch. In the fresh and wonderful language of the Merry Vicar Of Meudon, he has given us a marvellous picture of French life and manners in the sixteenth century. The gallant knights and merry dames of that eventful period of French history stand out in bold relief upon his canvas. The background in these life-like figures is, as it were, “sketched upon the spot. ” After reading the Contes Drolatiques, one could almost find one's way about the towns and villages of Touraine, unassisted by map or guide

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