Durrell Re-read

Crossing the Liminal in Lawrence Durrell's Major Novels

Fiction & Literature, Literary Theory & Criticism, European, Eastern European
Cover of the book Durrell Re-read by James M. Clawson, Fairleigh Dickinson University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James M. Clawson ISBN: 9781611478471
Publisher: Fairleigh Dickinson University Press Publication: June 20, 2016
Imprint: Fairleigh Dickinson University Press Language: English
Author: James M. Clawson
ISBN: 9781611478471
Publisher: Fairleigh Dickinson University Press
Publication: June 20, 2016
Imprint: Fairleigh Dickinson University Press
Language: English

Reading the twelve major novels of Lawrence Durrell, this study argues for their consideration as a single major project, an opus, marked by themes of liminality and betweenness. As major texts of mid-twentieth-century literature, repeatedly earning nominations for the Nobel Prize, Durrell’s work has attracted renewed critical attention since his centenary in 2012. This study shows the thematic unity of the opus in five areas. First, by disrupting expectations of love and death and by fashioning plural narrators, works in the opus blend notions of the subject and the object. Second, in their use of metafictional elements, the texts present themselves as neither fiction nor reality. Third, their approach to place and identity offers something between the naturalistic and the human-centric. Fourth, though the texts’ initial concerns are engaged with understanding the past and preparing for a future, they all resolve in something like the present. And fifth, though the novels reject many aspects of modernism, they reside nevertheless between the poles of modernism and postmodernism. Shared with other writers, including T.S. Eliot and Henry Miller, as early as the 1940s, Durrell’s plans for his major works of fiction remained consistent through the publication of the last novel in 1985, and these plans show the need to consider the twelve major works as a unitary whole.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Reading the twelve major novels of Lawrence Durrell, this study argues for their consideration as a single major project, an opus, marked by themes of liminality and betweenness. As major texts of mid-twentieth-century literature, repeatedly earning nominations for the Nobel Prize, Durrell’s work has attracted renewed critical attention since his centenary in 2012. This study shows the thematic unity of the opus in five areas. First, by disrupting expectations of love and death and by fashioning plural narrators, works in the opus blend notions of the subject and the object. Second, in their use of metafictional elements, the texts present themselves as neither fiction nor reality. Third, their approach to place and identity offers something between the naturalistic and the human-centric. Fourth, though the texts’ initial concerns are engaged with understanding the past and preparing for a future, they all resolve in something like the present. And fifth, though the novels reject many aspects of modernism, they reside nevertheless between the poles of modernism and postmodernism. Shared with other writers, including T.S. Eliot and Henry Miller, as early as the 1940s, Durrell’s plans for his major works of fiction remained consistent through the publication of the last novel in 1985, and these plans show the need to consider the twelve major works as a unitary whole.

More books from Fairleigh Dickinson University Press

Cover of the book Reconsidering Longfellow by James M. Clawson
Cover of the book Marriage and Land Law in Shakespeare and Middleton by James M. Clawson
Cover of the book Ollam by James M. Clawson
Cover of the book The Making and Unmaking of Mediterranean Landscape in Italian Literature by James M. Clawson
Cover of the book Alonzo's War by James M. Clawson
Cover of the book The Prosecutor by James M. Clawson
Cover of the book Communicative Engagement and Social Liberation by James M. Clawson
Cover of the book Roger Waters and Pink Floyd by James M. Clawson
Cover of the book The Bible, Mormon Scripture, and the Rhetoric of Allusivity by James M. Clawson
Cover of the book Communication Ethics and Crisis by James M. Clawson
Cover of the book The Biafran Humanitarian Crisis, 1967–1970 by James M. Clawson
Cover of the book Selected Poetry and Prose of Edmond Holmes by James M. Clawson
Cover of the book Something Complete and Great by James M. Clawson
Cover of the book Thomas Carlyle and the Idea of Influence by James M. Clawson
Cover of the book Sister Souls by James M. Clawson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy