Early Cinema in Russia and its Cultural Reception

Fiction & Literature, Literary Theory & Criticism, Reference, Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Early Cinema in Russia and its Cultural Reception by Yuri Tsivian, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Yuri Tsivian ISBN: 9781317928362
Publisher: Taylor and Francis Publication: December 13, 2013
Imprint: Routledge Language: English
Author: Yuri Tsivian
ISBN: 9781317928362
Publisher: Taylor and Francis
Publication: December 13, 2013
Imprint: Routledge
Language: English

This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.

The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.

In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.

The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.

In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

More books from Taylor and Francis

Cover of the book Translation and Public Policy by Yuri Tsivian
Cover of the book Sport and Nationalism in China by Yuri Tsivian
Cover of the book Dying, Death, and Bereavement by Yuri Tsivian
Cover of the book Physical Education in the Early Years by Yuri Tsivian
Cover of the book Audiology by Yuri Tsivian
Cover of the book Heaven and Its Discontents by Yuri Tsivian
Cover of the book Youth, Community and the Struggle for Social Justice by Yuri Tsivian
Cover of the book Pan-African Education by Yuri Tsivian
Cover of the book Food, Wine and China by Yuri Tsivian
Cover of the book Body-to-Body Intimacy by Yuri Tsivian
Cover of the book Written Expression Disk with Workbook by Yuri Tsivian
Cover of the book The Englishwoman's Review of Social and Industrial Questions by Yuri Tsivian
Cover of the book Learning Outdoors by Yuri Tsivian
Cover of the book AIDS, Communication, and Empowerment by Yuri Tsivian
Cover of the book The Argument Writing Toolkit by Yuri Tsivian
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy