Ebert's Bests

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Ebert's Bests by Roger Ebert, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Roger Ebert ISBN: 9780226048901
Publisher: University of Chicago Press Publication: December 20, 2012
Imprint: University of Chicago Press Language: English
Author: Roger Ebert
ISBN: 9780226048901
Publisher: University of Chicago Press
Publication: December 20, 2012
Imprint: University of Chicago Press
Language: English

Roger Ebert is a name synonymous with the movies. In Ebert’s Bests, he takes readers through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel & Ebert. Recounting the influence of French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Extending this to his accompanying selection of “10 Bests,” he reminds us that hearts and minds—and even rankings—are bound to change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Roger Ebert is a name synonymous with the movies. In Ebert’s Bests, he takes readers through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel & Ebert. Recounting the influence of French New Wave, his friendships with Werner Herzog and Martin Scorsese, as well as travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism—why we should take all film seriously, without prejudgment or condescension—he argues that film critics ought always to engage in open-minded dialogue with a movie. Extending this to his accompanying selection of “10 Bests,” he reminds us that hearts and minds—and even rankings—are bound to change.

More books from University of Chicago Press

Cover of the book Life Out of Sequence by Roger Ebert
Cover of the book Going to War in Iraq by Roger Ebert
Cover of the book Revolution of the Ordinary by Roger Ebert
Cover of the book Memorial Mania by Roger Ebert
Cover of the book Statesmanship and Party Government by Roger Ebert
Cover of the book Prehistoric Future by Roger Ebert
Cover of the book The Journey to the West, Revised Edition, Volume 3 by Roger Ebert
Cover of the book Emptiness by Roger Ebert
Cover of the book Philip Sparrow Tells All by Roger Ebert
Cover of the book The Jugger by Roger Ebert
Cover of the book Ordinary Meaning by Roger Ebert
Cover of the book Cultural Capital by Roger Ebert
Cover of the book The Tragic Sense of Life by Roger Ebert
Cover of the book Law, Legislation and Liberty, Volume 1 by Roger Ebert
Cover of the book The Nonsense of Kant and Lewis Carroll by Roger Ebert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy