Edgar Degas Drawings: Colour Plates
Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
| Author: | Maria Peitcheva | ISBN: | 9786050440133 |
| Publisher: | Maria Peitcheva | Publication: | May 17, 2016 |
| Imprint: | Language: | English |
| Author: | Maria Peitcheva |
| ISBN: | 9786050440133 |
| Publisher: | Maria Peitcheva |
| Publication: | May 17, 2016 |
| Imprint: | |
| Language: | English |
One of Degas' principal concerns as a draftsman was analyzing the movements and gestures of the female body. On view are several drawings featuring dancers, easily recognizable as the study for the celebrated wax sculpture Little Dancer, Fourteen Years Old, depicting the young dancer Marie van Goethem. In this large sheet, the artist studied her from three different angles, attempting to understand the figure in the round in preparation for sculpting it. Other examples of drawings with dancers include Seated Dancer (ca. 1871), one of the studies for Dance Class at the Opéra on the Rue le Peletier, as well as Two Studies of Dancers (ca. 1873), Dancer with Arms Outstretched (ca. 1878), and Two Studies of a Ballet Dancer (ca. 1872). Though noted for his attention to the female figure, Degas executed many studies of grouped horses and jockeys from which he would use figures in later compositions. Later in his career, Degas experimented with mixing drawing media and printmaking techniques.
One of Degas' principal concerns as a draftsman was analyzing the movements and gestures of the female body. On view are several drawings featuring dancers, easily recognizable as the study for the celebrated wax sculpture Little Dancer, Fourteen Years Old, depicting the young dancer Marie van Goethem. In this large sheet, the artist studied her from three different angles, attempting to understand the figure in the round in preparation for sculpting it. Other examples of drawings with dancers include Seated Dancer (ca. 1871), one of the studies for Dance Class at the Opéra on the Rue le Peletier, as well as Two Studies of Dancers (ca. 1873), Dancer with Arms Outstretched (ca. 1878), and Two Studies of a Ballet Dancer (ca. 1872). Though noted for his attention to the female figure, Degas executed many studies of grouped horses and jockeys from which he would use figures in later compositions. Later in his career, Degas experimented with mixing drawing media and printmaking techniques.
