Edly's Music Theory for Practical People Level 1
Nonfiction, Entertainment, Music, Theory & Criticism, Theory, Instruments & Instruction, Instruction & Study
| Author: | Ed Roseman | ISBN: | 9780966161618 |
| Publisher: | Musical EdVentures | Publication: | July 2, 2013 |
| Imprint: | Language: | English |
| Author: | Ed Roseman |
| ISBN: | 9780966161618 |
| Publisher: | Musical EdVentures |
| Publication: | July 2, 2013 |
| Imprint: | |
| Language: | English |
Music theory need not be dreary! This eBook is the first in a two-part e-series of this well-loved book. Its clear and friendly writing and wry humor, coupled with fun illustrations throughout, makes the topic that music students think of as dry and boring, into something approachable, attainable, and yes, even enjoyable. For players of all instruments and singers, and—something that sets it apart from most theory books—even those who don't read music; it is applicable to all genres of music.
Level 1 (of two) covers the natural and chromatic musical alphabets, triad and 7th chord construction, major and minor scales, keys, and key signatures, intervals and inversion, diatonic chords, functions, and inversion, 12 bar blues, the circle of fifths, ear-training, secondary dominants, an introduction to transposition, and finally, cadences. It features a fully-linked “Glossarindex”—a combination glossary and index.
Music theory need not be dreary! This eBook is the first in a two-part e-series of this well-loved book. Its clear and friendly writing and wry humor, coupled with fun illustrations throughout, makes the topic that music students think of as dry and boring, into something approachable, attainable, and yes, even enjoyable. For players of all instruments and singers, and—something that sets it apart from most theory books—even those who don't read music; it is applicable to all genres of music.
Level 1 (of two) covers the natural and chromatic musical alphabets, triad and 7th chord construction, major and minor scales, keys, and key signatures, intervals and inversion, diatonic chords, functions, and inversion, 12 bar blues, the circle of fifths, ear-training, secondary dominants, an introduction to transposition, and finally, cadences. It features a fully-linked “Glossarindex”—a combination glossary and index.
