Everyday Music Listening

Absorption, Dissociation and Trancing

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Health & Well Being, Psychology, Cognitive Psychology
Cover of the book Everyday Music Listening by Ruth Herbert, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ruth Herbert ISBN: 9781317138273
Publisher: Taylor and Francis Publication: April 15, 2016
Imprint: Routledge Language: English
Author: Ruth Herbert
ISBN: 9781317138273
Publisher: Taylor and Francis
Publication: April 15, 2016
Imprint: Routledge
Language: English

In what ways does listening to music shape everyday perception? Is music particularly effective in promoting shifts in consciousness? Is there any difference perceptually between contemplating one's surroundings and experiencing a work of art? Everyday Music Listening is the first book to focus in depth on the detailed nature of music listening episodes as lived mental experiences.

Ruth Herbert uses new empirical data to explore the psychological processes involved in everyday music listening scenarios, charting interactions between music, perceiver and environment in a diverse range of real-world contexts. Findings are integrated with insights from a broad range of literature, including consciousness studies and research into altered states of consciousness, as well as ideas from ethology and evolutionary psychology, suggesting that a psychobiological capacity for trancing is linked to the origins of making and receiving of art. The term 'trance' is not generally associated with music listening outside ethnomusicological studies of strong experiences, yet 'hypnotic-like' involvements in daily life have long been recognized by hypnotherapy researchers. The author argues that multiply distributed attention - prevalent in much contemporary listening- does not necessarily indicate superficial engagement. Music emerges as a particularly effective mediator of experience. Absorption and dissociation, as manifestations of trancing, are self-regulatory processes, often operating at the level of unconscious awareness, that support individuals' perceptions of psychological health.

This fascinating study brings together research and theory from a wide range of fields to provide a new framework for understanding the phenomenology of music listening in a way that will appeal to both specialist academic audiences and a broad general readership.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In what ways does listening to music shape everyday perception? Is music particularly effective in promoting shifts in consciousness? Is there any difference perceptually between contemplating one's surroundings and experiencing a work of art? Everyday Music Listening is the first book to focus in depth on the detailed nature of music listening episodes as lived mental experiences.

Ruth Herbert uses new empirical data to explore the psychological processes involved in everyday music listening scenarios, charting interactions between music, perceiver and environment in a diverse range of real-world contexts. Findings are integrated with insights from a broad range of literature, including consciousness studies and research into altered states of consciousness, as well as ideas from ethology and evolutionary psychology, suggesting that a psychobiological capacity for trancing is linked to the origins of making and receiving of art. The term 'trance' is not generally associated with music listening outside ethnomusicological studies of strong experiences, yet 'hypnotic-like' involvements in daily life have long been recognized by hypnotherapy researchers. The author argues that multiply distributed attention - prevalent in much contemporary listening- does not necessarily indicate superficial engagement. Music emerges as a particularly effective mediator of experience. Absorption and dissociation, as manifestations of trancing, are self-regulatory processes, often operating at the level of unconscious awareness, that support individuals' perceptions of psychological health.

This fascinating study brings together research and theory from a wide range of fields to provide a new framework for understanding the phenomenology of music listening in a way that will appeal to both specialist academic audiences and a broad general readership.

More books from Taylor and Francis

Cover of the book Celestial Lancets by Ruth Herbert
Cover of the book Language, Intelligence, and Thought by Ruth Herbert
Cover of the book Sensation and Perception by Ruth Herbert
Cover of the book Educational Assessment, Evaluation and Research by Ruth Herbert
Cover of the book Choosing Methods in Mental Health Research by Ruth Herbert
Cover of the book Historical and Philosophical Perspectives on Biomedical Ethics: From Paternalism to Autonomy? by Ruth Herbert
Cover of the book Myths of Exile by Ruth Herbert
Cover of the book Revelation, Scripture and Church by Ruth Herbert
Cover of the book Transitional Justice, Peace and Accountability by Ruth Herbert
Cover of the book Sport and Exercise Physiology Testing Guidelines: Volume I - Sport Testing by Ruth Herbert
Cover of the book Some Day Been Dey (RLE Folklore) by Ruth Herbert
Cover of the book Geopolitics of European Union Enlargement by Ruth Herbert
Cover of the book Interbasin Transfers of Water by Ruth Herbert
Cover of the book Did Marco Polo Go To China? by Ruth Herbert
Cover of the book Chinese Kinship by Ruth Herbert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy