Fado Resounding

Affective Politics and Urban Life

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Fado Resounding by Lila Ellen Gray, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lila Ellen Gray ISBN: 9780822378853
Publisher: Duke University Press Publication: October 16, 2013
Imprint: Duke University Press Books Language: English
Author: Lila Ellen Gray
ISBN: 9780822378853
Publisher: Duke University Press
Publication: October 16, 2013
Imprint: Duke University Press Books
Language: English

Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon'sfado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon'sfado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."

More books from Duke University Press

Cover of the book The Great Enterprise by Lila Ellen Gray
Cover of the book Fugitive Life by Lila Ellen Gray
Cover of the book The Cultures of Globalization by Lila Ellen Gray
Cover of the book Essentials of the Theory of Fiction by Lila Ellen Gray
Cover of the book Central American Recovery and Development by Lila Ellen Gray
Cover of the book Growing Explanations by Lila Ellen Gray
Cover of the book Groove Tube by Lila Ellen Gray
Cover of the book Skin Acts by Lila Ellen Gray
Cover of the book Ethnography in Unstable Places by Lila Ellen Gray
Cover of the book The Cunning of Recognition by Lila Ellen Gray
Cover of the book Globalization and the Post-Creole Imagination by Lila Ellen Gray
Cover of the book Cultural Agency in the Americas by Lila Ellen Gray
Cover of the book Getting Loose by Lila Ellen Gray
Cover of the book The Politics of Operations by Lila Ellen Gray
Cover of the book Culture, Power, Place by Lila Ellen Gray
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy