Feis na nGleann: A Century of Gaelic Culture in the Antrim Glens

Nonfiction, History, Ireland, British
Cover of the book Feis na nGleann: A Century of Gaelic Culture in the Antrim Glens by Eamon Phoenix, Pádraic Ó Cléireacháin, Eileen McAuley, Ulster Historical Foundation
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Author: Eamon Phoenix, Pádraic Ó Cléireacháin, Eileen McAuley ISBN: 9781908448682
Publisher: Ulster Historical Foundation Publication: June 1, 2012
Imprint: Ulster Historical Foundation Language: English
Author: Eamon Phoenix, Pádraic Ó Cléireacháin, Eileen McAuley
ISBN: 9781908448682
Publisher: Ulster Historical Foundation
Publication: June 1, 2012
Imprint: Ulster Historical Foundation
Language: English

The Glens of Antrim formed one of the last Irish-speaking areas of Ulster until the early 1900s. Until the opening of the Antrim coast road in the 1850s Irish was universally spoken in the Glens and on Rathlin.

The turn of the nineteenth century saw the Gaelic Revival which in the north of Ireland involved both Unionists and Nationalists in an effort to preserve Irish as a spoken language. It was against this background of cultural renaissance that Feis na nGleann (''The Glens Feis'') was founded in 1904 as the first Gaelic cultural festival in east Ulster. That inaugural Feis harnessed the talents of the Glens folk and a group of leading ''Big House'' figures in the locality, among them Miss Rose Young of Galgorm Castle - a member of a leading Ballymena Unionist dynasty - Miss Ada McNeill of Cushendun and Miss Margaret Dobbs.

Others included Sir Roger Casement, then a recent convert to Irish nationalism, Eoin MacNeill, Glensman and language revivalist, Francis Joseph Bigger, lawyer and antiquarian, John ''Benmore'' Clarke and Joseph Campbell, the Belfast poet.

Feis na nGleann: A Century of Gaelic Culture in the Antrim Glens traces the origins of Feis na nGleann in that ''crease in time'' between Parnell and the 1916 Rising. In a series of scholarly chapters, experts profile the historic founders of the Feis and record the history of Irish in the district. There are special sections on the traditional arts and crafts fostered by the Feis, the once famous Glens toy-making industry, the role of hurling and the rich literary legacy of the Feiseanna.

The book is lavishly illustrated with unique contemporary photographs. The result is attractive and readable volume which will appeal to all those interested in the history and culture of the Glens and the fortunes of the Irish language in the north of Ireland.

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The Glens of Antrim formed one of the last Irish-speaking areas of Ulster until the early 1900s. Until the opening of the Antrim coast road in the 1850s Irish was universally spoken in the Glens and on Rathlin.

The turn of the nineteenth century saw the Gaelic Revival which in the north of Ireland involved both Unionists and Nationalists in an effort to preserve Irish as a spoken language. It was against this background of cultural renaissance that Feis na nGleann (''The Glens Feis'') was founded in 1904 as the first Gaelic cultural festival in east Ulster. That inaugural Feis harnessed the talents of the Glens folk and a group of leading ''Big House'' figures in the locality, among them Miss Rose Young of Galgorm Castle - a member of a leading Ballymena Unionist dynasty - Miss Ada McNeill of Cushendun and Miss Margaret Dobbs.

Others included Sir Roger Casement, then a recent convert to Irish nationalism, Eoin MacNeill, Glensman and language revivalist, Francis Joseph Bigger, lawyer and antiquarian, John ''Benmore'' Clarke and Joseph Campbell, the Belfast poet.

Feis na nGleann: A Century of Gaelic Culture in the Antrim Glens traces the origins of Feis na nGleann in that ''crease in time'' between Parnell and the 1916 Rising. In a series of scholarly chapters, experts profile the historic founders of the Feis and record the history of Irish in the district. There are special sections on the traditional arts and crafts fostered by the Feis, the once famous Glens toy-making industry, the role of hurling and the rich literary legacy of the Feiseanna.

The book is lavishly illustrated with unique contemporary photographs. The result is attractive and readable volume which will appeal to all those interested in the history and culture of the Glens and the fortunes of the Irish language in the north of Ireland.

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