Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Social & Cultural Studies, Social Science, Gender Studies, Gay Studies
Cover of the book Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba by Moshe Morad, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Moshe Morad ISBN: 9781317135425
Publisher: Taylor and Francis Publication: April 15, 2016
Imprint: Routledge Language: English
Author: Moshe Morad
ISBN: 9781317135425
Publisher: Taylor and Francis
Publication: April 15, 2016
Imprint: Routledge
Language: English

The ‘Special Period’ in Cuba was an extended era of economic depression starting in the early 1990s, characterized by the collapse of revolutionary values and social norms, and a way of life conducted by improvised solutions for survival, including hustling and sex-work. During this time there developed a thriving, though constantly harassed and destabilized, clandestine gay scene (known as the ‘ambiente’). In the course of eight visits between 1995 and 2007, the last dozen years of Fidel Castro’s reign, Moshe Morad became absorbed in Havana’s gay scene, where he created a wide social network, attended numerous secret gatherings-from clandestine parties to religious rituals-and observed patterns of behavior and communication. He discovered the role of music in this scene as a marker of identity, a source of queer codifications and identifications, a medium of interaction, an outlet for emotion and a way to escape from a reality of scarcity, oppression and despair.

Morad identified and conducted his research in different types of ‘musical space,’ from illegal clandestine parties held in changing locations, to ballet halls, drag-show bars, private living-rooms and kitchens and santería religious ceremonies. In this important study, the first on the subject, he argues that music plays a central role in providing the physical, emotional, and conceptual spaces which constitute this scene and in the formation of a new hybrid ‘gay identity’ in Special-Period Cuba.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The ‘Special Period’ in Cuba was an extended era of economic depression starting in the early 1990s, characterized by the collapse of revolutionary values and social norms, and a way of life conducted by improvised solutions for survival, including hustling and sex-work. During this time there developed a thriving, though constantly harassed and destabilized, clandestine gay scene (known as the ‘ambiente’). In the course of eight visits between 1995 and 2007, the last dozen years of Fidel Castro’s reign, Moshe Morad became absorbed in Havana’s gay scene, where he created a wide social network, attended numerous secret gatherings-from clandestine parties to religious rituals-and observed patterns of behavior and communication. He discovered the role of music in this scene as a marker of identity, a source of queer codifications and identifications, a medium of interaction, an outlet for emotion and a way to escape from a reality of scarcity, oppression and despair.

Morad identified and conducted his research in different types of ‘musical space,’ from illegal clandestine parties held in changing locations, to ballet halls, drag-show bars, private living-rooms and kitchens and santería religious ceremonies. In this important study, the first on the subject, he argues that music plays a central role in providing the physical, emotional, and conceptual spaces which constitute this scene and in the formation of a new hybrid ‘gay identity’ in Special-Period Cuba.

More books from Taylor and Francis

Cover of the book Becoming-Social in a Networked Age by Moshe Morad
Cover of the book The Pictorial Turn by Moshe Morad
Cover of the book International Aviation and Terrorism by Moshe Morad
Cover of the book From New Towns to Green Politics by Moshe Morad
Cover of the book Exploring the Boundaries of Landscape Architecture by Moshe Morad
Cover of the book Dostoevsky by Moshe Morad
Cover of the book Pluralism in Management by Moshe Morad
Cover of the book Party Government by Moshe Morad
Cover of the book Sanitation, Latrines and Intestinal Parasites in Past Populations by Moshe Morad
Cover of the book Working in the Service Sector by Moshe Morad
Cover of the book Early Child Development in the French Tradition by Moshe Morad
Cover of the book The Preferred Provider's Handbook by Moshe Morad
Cover of the book New Trends in Development Theory by Moshe Morad
Cover of the book The Early Avant-Garde in Twentieth-Century Literature and Art by Moshe Morad
Cover of the book Herod by Moshe Morad
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy