Figures of the Pre-Freudian Unconscious from Flaubert to Proust

Fiction & Literature, Literary Theory & Criticism, European, Nonfiction, Health & Well Being, Psychology
Cover of the book Figures of the Pre-Freudian Unconscious from Flaubert to Proust by Michael R. Finn, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael R. Finn ISBN: 9781316884812
Publisher: Cambridge University Press Publication: July 25, 2017
Imprint: Cambridge University Press Language: English
Author: Michael R. Finn
ISBN: 9781316884812
Publisher: Cambridge University Press
Publication: July 25, 2017
Imprint: Cambridge University Press
Language: English

An original, wide-ranging contribution to the study of French writing in the nineteenth and early twentieth centuries, this book examines the ways in which the unconscious was understood in literature in the years before Freud. Exploring the influence of medical and psychological discourse over the existence and/or potential nature of the unconscious, Michael Finn discusses the resistance of feminists opposing medical diagnoses of the female brain as the seat of the unconscious, the hypnotism craze of the 1880s and the fascination, in fiction, with dual personality and posthypnotic crimes. The heart of the study explores how the unconscious inserts itself into the writing practice of Flaubert, Maupassant and Proust. Through the presentation of scientific evidence and quarrels about the psyche Michael Finn is able to show the work of such writers in a completely new light.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An original, wide-ranging contribution to the study of French writing in the nineteenth and early twentieth centuries, this book examines the ways in which the unconscious was understood in literature in the years before Freud. Exploring the influence of medical and psychological discourse over the existence and/or potential nature of the unconscious, Michael Finn discusses the resistance of feminists opposing medical diagnoses of the female brain as the seat of the unconscious, the hypnotism craze of the 1880s and the fascination, in fiction, with dual personality and posthypnotic crimes. The heart of the study explores how the unconscious inserts itself into the writing practice of Flaubert, Maupassant and Proust. Through the presentation of scientific evidence and quarrels about the psyche Michael Finn is able to show the work of such writers in a completely new light.

More books from Cambridge University Press

Cover of the book The Forgotten Kin by Michael R. Finn
Cover of the book Charles I and the Aristocracy, 1625–1642 by Michael R. Finn
Cover of the book The Neuropsychology of Mental Illness by Michael R. Finn
Cover of the book Commercializing Successful Biomedical Technologies by Michael R. Finn
Cover of the book Pliny the Elder and the Emergence of Renaissance Architecture by Michael R. Finn
Cover of the book Learning and Teaching in the Early Years by Michael R. Finn
Cover of the book The Cambridge Handbook of Sociology: Volume 1 by Michael R. Finn
Cover of the book Rethinking the 1950s by Michael R. Finn
Cover of the book Domestic Judicial Review of Trade Remedies by Michael R. Finn
Cover of the book Religion in the Emergence of Civilization by Michael R. Finn
Cover of the book Geometric Algebra for Physicists by Michael R. Finn
Cover of the book Brownian Motion by Michael R. Finn
Cover of the book Comparative Politics by Michael R. Finn
Cover of the book Mechanisms and Games for Dynamic Spectrum Allocation by Michael R. Finn
Cover of the book The Stalinist Era by Michael R. Finn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy