Film Programming

Curating for Cinemas, Festivals, Archives

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Film Programming by Peter Bosma, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Peter Bosma ISBN: 9780231850827
Publisher: Columbia University Press Publication: June 9, 2015
Imprint: WallFlower Press Language: English
Author: Peter Bosma
ISBN: 9780231850827
Publisher: Columbia University Press
Publication: June 9, 2015
Imprint: WallFlower Press
Language: English

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

More books from Columbia University Press

Cover of the book Pragmatism and Naturalism by Peter Bosma
Cover of the book Beyond Bruce Lee by Peter Bosma
Cover of the book Zeami by Peter Bosma
Cover of the book The Habermas-Rawls Debate by Peter Bosma
Cover of the book Double Agents by Peter Bosma
Cover of the book The Struggle for Form by Peter Bosma
Cover of the book Head Cases by Peter Bosma
Cover of the book "How Come Boys Get to Keep Their Noses?" by Peter Bosma
Cover of the book Marked Men by Peter Bosma
Cover of the book Mutual Aid Groups, Vulnerable and Resilient Populations, and the Life Cycle by Peter Bosma
Cover of the book Hidden and Visible Realms by Peter Bosma
Cover of the book Social Work by Peter Bosma
Cover of the book We Are All Cannibals by Peter Bosma
Cover of the book The Secret of the Totem by Peter Bosma
Cover of the book Fairbairn’s Object Relations Theory in the Clinical Setting by Peter Bosma
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy