Filming the Nation

Jung, Film, Neo-Realism and Italian National Identity

Nonfiction, Health & Well Being, Psychology, Mental Health, Social & Cultural Studies, Social Science
Cover of the book Filming the Nation by Donatella Spinelli Coleman, Taylor and Francis
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Author: Donatella Spinelli Coleman ISBN: 9781135718114
Publisher: Taylor and Francis Publication: December 6, 2012
Imprint: Routledge Language: English
Author: Donatella Spinelli Coleman
ISBN: 9781135718114
Publisher: Taylor and Francis
Publication: December 6, 2012
Imprint: Routledge
Language: English

Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious.

Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films.

Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious.

Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films.

Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.

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