Five Graphic Music Analyses

Nonfiction, Entertainment, Music, Theory & Criticism, Theory, History & Criticism, Reference
Cover of the book Five Graphic Music Analyses by Heinrich Schenker, Dover Publications
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Author: Heinrich Schenker ISBN: 9780486317069
Publisher: Dover Publications Publication: April 15, 2013
Imprint: Dover Publications Language: English
Author: Heinrich Schenker
ISBN: 9780486317069
Publisher: Dover Publications
Publication: April 15, 2013
Imprint: Dover Publications
Language: English

The concepts of theorist Heinrich Schenker offer a unique method of structural analysis that differentiates between harmonic and contrapuntal functions of chords, emphasizing the relative significance of all tones in terms of motion and direction in the achievement of organic tonal unity.
These sketches study the musical architecture of five compositions from three stylistic periods: two compositions by Bach — " Ich bin's, ich sollte büssen" from the St. Matthew Passion and the Prelude No. 1 in C Major from Book I of The Well-Tempered Clavier; the development section from the first movement of Haydn's Sonata for Piano in E-Flat Major; and two ètudes by Chopin — in F Major, Op. 10, No. 8, and in C Minor, Op. 10, No. 12. Each composition is analyzed in a series of sketches, with selective interpretations of chords, indications of voice leading, and other easily understood devices that demonstrate Schenker's theories and their expression.

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The concepts of theorist Heinrich Schenker offer a unique method of structural analysis that differentiates between harmonic and contrapuntal functions of chords, emphasizing the relative significance of all tones in terms of motion and direction in the achievement of organic tonal unity.
These sketches study the musical architecture of five compositions from three stylistic periods: two compositions by Bach — " Ich bin's, ich sollte büssen" from the St. Matthew Passion and the Prelude No. 1 in C Major from Book I of The Well-Tempered Clavier; the development section from the first movement of Haydn's Sonata for Piano in E-Flat Major; and two ètudes by Chopin — in F Major, Op. 10, No. 8, and in C Minor, Op. 10, No. 12. Each composition is analyzed in a series of sketches, with selective interpretations of chords, indications of voice leading, and other easily understood devices that demonstrate Schenker's theories and their expression.

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