F.M.R.L.

Footnotes, Mirages, Refrains and Leftovers of Writing Sound

Nonfiction, Art & Architecture, General Art, Criticism, Fiction & Literature, Literary Theory & Criticism, Books & Reading
Cover of the book F.M.R.L. by Daniela Cascella, John Hunt Publishing
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Author: Daniela Cascella ISBN: 9781782798163
Publisher: John Hunt Publishing Publication: April 24, 2015
Imprint: Zero Books Language: English
Author: Daniela Cascella
ISBN: 9781782798163
Publisher: John Hunt Publishing
Publication: April 24, 2015
Imprint: Zero Books
Language: English
Listening into writing, reading into writing take shape in F.M.R.L. through a collection of short texts, fragments and ‘deranged essays’, with attention to pacing and linguistic derives. An archive of books, notebooks, events and records prompts the texts in these pages, responding to encounters with Michel Leiris’s autobiographical fictions; concerts and events at Café Oto and the Swedenborg House in London; visits to museums such as the Pitt Rivers in Oxford and exhibitions such as Ice Age Art at the British Museum, among the others. F.M.R.L. is a book constructed across sonic patterns, assonance, repetitions, comprising texts that intermittently drift from sense to sound and to nonsense and back. A flip from the immateriality of sound to the sounds of letters and words as material, a call from reading to voicing.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Listening into writing, reading into writing take shape in F.M.R.L. through a collection of short texts, fragments and ‘deranged essays’, with attention to pacing and linguistic derives. An archive of books, notebooks, events and records prompts the texts in these pages, responding to encounters with Michel Leiris’s autobiographical fictions; concerts and events at Café Oto and the Swedenborg House in London; visits to museums such as the Pitt Rivers in Oxford and exhibitions such as Ice Age Art at the British Museum, among the others. F.M.R.L. is a book constructed across sonic patterns, assonance, repetitions, comprising texts that intermittently drift from sense to sound and to nonsense and back. A flip from the immateriality of sound to the sounds of letters and words as material, a call from reading to voicing.

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