Framed

Women in Law and Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book Framed by Orit Kamir, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Orit Kamir ISBN: 9780822387763
Publisher: Duke University Press Publication: January 19, 2006
Imprint: Duke University Press Books Language: English
Author: Orit Kamir
ISBN: 9780822387763
Publisher: Duke University Press
Publication: January 19, 2006
Imprint: Duke University Press Books
Language: English

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

More books from Duke University Press

Cover of the book The Age of Beloveds by Orit Kamir
Cover of the book Memory Bytes by Orit Kamir
Cover of the book Audible Empire by Orit Kamir
Cover of the book Decolonizing Dialectics by Orit Kamir
Cover of the book Dictablanda by Orit Kamir
Cover of the book Philosophical Imagination and Cultural Memory by Orit Kamir
Cover of the book Mobile Subjects by Orit Kamir
Cover of the book Panic Diaries by Orit Kamir
Cover of the book The Errant Art of Moby-Dick by Orit Kamir
Cover of the book Imperial Debris by Orit Kamir
Cover of the book Sensing Sound by Orit Kamir
Cover of the book Fungible Life by Orit Kamir
Cover of the book The Marcus Garvey and Universal Negro Improvement Association Papers, Volume XIII by Orit Kamir
Cover of the book Producing Guanxi by Orit Kamir
Cover of the book Orientalism and Modernism by Orit Kamir
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy