Frames of Anime


Cover of the book Frames of Anime by Hong Kong University Press, Hong Kong University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hong Kong University Press ISBN: 9789882205253
Publisher: Hong Kong University Press Publication: December 15, 2009
Imprint: Language: English
Author: Hong Kong University Press
ISBN: 9789882205253
Publisher: Hong Kong University Press
Publication: December 15, 2009
Imprint:
Language: English

Japanese anime has long fascinated the world, and its mythical heroes and dazzling colors increasingly influence popular culture genres in the West. Tze-yue G. Hu analyzes the “language-medium” of this remarkable expressive platform and its many socio-cultural dimensions from a distinctly Asian frame of reference, tracing its layers of concentric radiation from Japan throughout Asia. Her work, rooted in archival investigations, interviews with animators and producers in Japan as well as other Asian animation studios, and interdisciplinary research in linguistics and performance theory, shows how dialectical aspects of anime are linked to Japan’s unique experience of modernity and its cultural associations in Asia, including its reliance on low-wage outsourcing. Her study also provides English readers with insights on numerous Japanese secondary sources, as well as a number of original illustrations offered by animators and producers she interviewed.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Japanese anime has long fascinated the world, and its mythical heroes and dazzling colors increasingly influence popular culture genres in the West. Tze-yue G. Hu analyzes the “language-medium” of this remarkable expressive platform and its many socio-cultural dimensions from a distinctly Asian frame of reference, tracing its layers of concentric radiation from Japan throughout Asia. Her work, rooted in archival investigations, interviews with animators and producers in Japan as well as other Asian animation studios, and interdisciplinary research in linguistics and performance theory, shows how dialectical aspects of anime are linked to Japan’s unique experience of modernity and its cultural associations in Asia, including its reliance on low-wage outsourcing. Her study also provides English readers with insights on numerous Japanese secondary sources, as well as a number of original illustrations offered by animators and producers she interviewed.

More books from Hong Kong University Press

Cover of the book A Dictionary of Hong Kong English by Hong Kong University Press
Cover of the book Imperial to International by Hong Kong University Press
Cover of the book Return Migration and Identity by Hong Kong University Press
Cover of the book Hong Kong's Health System by Hong Kong University Press
Cover of the book Picturing Technology in China by Hong Kong University Press
Cover of the book Postcolonialism, Diaspora, and Alternative Histories by Hong Kong University Press
Cover of the book Independent Language Learning by Hong Kong University Press
Cover of the book Tales from No. 9 Ice House Street by Hong Kong University Press
Cover of the book The Virgin Mary and Catholic Identities in Chinese History by Hong Kong University Press
Cover of the book Johnnie To Kei-Fung's PTU by Hong Kong University Press
Cover of the book For Gods, Ghosts and Ancestors by Hong Kong University Press
Cover of the book 東江縱隊 (East River Column) by Hong Kong University Press
Cover of the book Melancholy Drift by Hong Kong University Press
Cover of the book No Man an Island by Hong Kong University Press
Cover of the book The Dragon and the Crown by Hong Kong University Press
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy