Freeing the Actor

An Actor's Desk Reference. Over 140 Exercises and Techniques to Free the Actor

Nonfiction, Entertainment, Performing Arts, Theatre, Acting & Auditioning, Fiction & Literature, Drama
Cover of the book Freeing the Actor by Eric Morris, Ermor Enterprises
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Author: Eric Morris ISBN: 9780983629931
Publisher: Ermor Enterprises Publication: January 5, 2010
Imprint: Ermor Enterprises Language: English
Author: Eric Morris
ISBN: 9780983629931
Publisher: Ermor Enterprises
Publication: January 5, 2010
Imprint: Ermor Enterprises
Language: English
Freeing the Actor is the seventh in a series of books by Eric Morris which explain and describe his unique system of acting. His previous books are among the most popular texts used by students and professional actors alike. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps and habits that plague and block actors from functioning from an authentic, organic place. Historically most acting coaches and teachers have failed to adequately address the instrumental problems that cripple actors. By teaching them how not to act, Eric has influenced scores of people to become experiential actors. His teaching has led them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all the colors of their emotional rainbow.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Freeing the Actor is the seventh in a series of books by Eric Morris which explain and describe his unique system of acting. His previous books are among the most popular texts used by students and professional actors alike. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps and habits that plague and block actors from functioning from an authentic, organic place. Historically most acting coaches and teachers have failed to adequately address the instrumental problems that cripple actors. By teaching them how not to act, Eric has influenced scores of people to become experiential actors. His teaching has led them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all the colors of their emotional rainbow.

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