Freud, V. 2

Appraisals and Reappraisals

Nonfiction, Health & Well Being, Psychology, History, Psychoanalysis, Psychotherapy
Cover of the book Freud, V. 2 by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317737056
Publisher: Taylor and Francis Publication: January 28, 2015
Imprint: Routledge Language: English
Author:
ISBN: 9781317737056
Publisher: Taylor and Francis
Publication: January 28, 2015
Imprint: Routledge
Language: English

Volume 2 of the Freud: Appraisals and Reappraisals series bears out the promise of the acclaimed premier volume, a volume whose essays "breathe new life into the study of Freud," embodying research that "appears to be impeccable in every case" (International Review of Psychoanalysis).

It begins with Peter Homan's detailed reeexamination of the period 1906-1914 in Freud's life. Looking to Freud's relationahips with Jung as the central event of the period, he finds in Freud's idealization and subsequent de-idealization of Jung a psychological motif that gains recurrent expression in Freud's later writings and personal relationships. Richard Geha offers a provocative protrait of Freud as a "fictionalist." Anchoring his exegesis in Freud's famous case of the Wolf Man, he argues that the yield of Freud's clinical inquiries, epistemologically, is a species of the fictionalism of Friedrich Nietzsche and Hans Vaihinger. But, pursuing the argument, Geha goes on to advance little-noted biographical evidence that Freud understood himself to be an artist whose clinical productions were ultimately artistic. Finally, Patricia Herzog organizes and interprets Freud's seemingly conflicting remarks about philosophy and philosophers en route to the claim that the long-held belief that Freud was an "anti-philosopher" is a myth. In fact, she claims, "Freud was in no doubt as to the philosophical nature of his goal." In an introductory essay titled "Pathways to Freud's Identity," editor Paul E. Stepansky brings together the essays of Homans, Geha, and Herzog as complementary inquiries into Freud's putative self-understanding and, to that extent, as reconstructive, historical continuations of the self-analysis methodically begun by Freud in the late 1890s. "Each contributor," writes Stepansky, "in his or her own way, seeks to understand Freud better in the spirit in which Freud might have better understood himself. Together, the contributors offer vistas to an enlarged self-analytic sensibility."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Volume 2 of the Freud: Appraisals and Reappraisals series bears out the promise of the acclaimed premier volume, a volume whose essays "breathe new life into the study of Freud," embodying research that "appears to be impeccable in every case" (International Review of Psychoanalysis).

It begins with Peter Homan's detailed reeexamination of the period 1906-1914 in Freud's life. Looking to Freud's relationahips with Jung as the central event of the period, he finds in Freud's idealization and subsequent de-idealization of Jung a psychological motif that gains recurrent expression in Freud's later writings and personal relationships. Richard Geha offers a provocative protrait of Freud as a "fictionalist." Anchoring his exegesis in Freud's famous case of the Wolf Man, he argues that the yield of Freud's clinical inquiries, epistemologically, is a species of the fictionalism of Friedrich Nietzsche and Hans Vaihinger. But, pursuing the argument, Geha goes on to advance little-noted biographical evidence that Freud understood himself to be an artist whose clinical productions were ultimately artistic. Finally, Patricia Herzog organizes and interprets Freud's seemingly conflicting remarks about philosophy and philosophers en route to the claim that the long-held belief that Freud was an "anti-philosopher" is a myth. In fact, she claims, "Freud was in no doubt as to the philosophical nature of his goal." In an introductory essay titled "Pathways to Freud's Identity," editor Paul E. Stepansky brings together the essays of Homans, Geha, and Herzog as complementary inquiries into Freud's putative self-understanding and, to that extent, as reconstructive, historical continuations of the self-analysis methodically begun by Freud in the late 1890s. "Each contributor," writes Stepansky, "in his or her own way, seeks to understand Freud better in the spirit in which Freud might have better understood himself. Together, the contributors offer vistas to an enlarged self-analytic sensibility."

More books from Taylor and Francis

Cover of the book The Japanese Industrial Economy by
Cover of the book Ethical Leadership for a Better Education System by
Cover of the book Sustainability of Temperate Forests by
Cover of the book The Adam Smith Review: Volume 1 by
Cover of the book Architectures of Justice by
Cover of the book Psychiatric Genetics by
Cover of the book Learning Beyond the Classroom by
Cover of the book The New Behaviorism by
Cover of the book Israeli Diplomacy and the Quest for Peace by
Cover of the book Violence Against Women in Asian Societies by
Cover of the book Eurasia and India by
Cover of the book Reading by Touch by
Cover of the book The Greening of US Free Trade Agreements by
Cover of the book The Barcelona Process by
Cover of the book The Social War, 91 to 88 BCE by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy