Fritz Bennewitz in India

Intercultural Theatre with Brecht and Shakespeare

Fiction & Literature, Literary Theory & Criticism, European, German, Drama, Nonfiction, Entertainment
Cover of the book Fritz Bennewitz in India by Joerg Esleben, University of Toronto Press, Scholarly Publishing Division
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Author: Joerg Esleben ISBN: 9781487510909
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: January 6, 2017
Imprint: Language: English
Author: Joerg Esleben
ISBN: 9781487510909
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: January 6, 2017
Imprint:
Language: English

This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz’ own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz’ thinking about intercultural work in India.  This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz’s former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.

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This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz’ own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz’ thinking about intercultural work in India.  This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz’s former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.

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