From Burke and Wordsworth to the Modern Sublime in Chinese Literature

Fiction & Literature, Literary Theory & Criticism, Asian, Far Eastern, Nonfiction, Religion & Spirituality, Philosophy, Modern, European
Cover of the book From Burke and Wordsworth to the Modern Sublime in Chinese Literature by Yi Zheng, Purdue University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Yi Zheng ISBN: 9781612491851
Publisher: Purdue University Press Publication: January 15, 2011
Imprint: Purdue University Press Language: English
Author: Yi Zheng
ISBN: 9781612491851
Publisher: Purdue University Press
Publication: January 15, 2011
Imprint: Purdue University Press
Language: English

This volume presents a historical-textual study about transformations of the aesthetics of the sublime-the literary and aesthetic quality of greatness under duress-from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke's Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth's Prelude, and Guo Moruo's experimental poem "Fenghuang Niepan" ("Nirvana of the Phoenix") and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures' traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume presents a historical-textual study about transformations of the aesthetics of the sublime-the literary and aesthetic quality of greatness under duress-from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke's Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth's Prelude, and Guo Moruo's experimental poem "Fenghuang Niepan" ("Nirvana of the Phoenix") and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures' traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies.

More books from Purdue University Press

Cover of the book Tastes of Faith by Yi Zheng
Cover of the book Methods of IT Project Management by Yi Zheng
Cover of the book Perspectives on Science and Culture by Yi Zheng
Cover of the book Analyzing Design Review Conversations by Yi Zheng
Cover of the book Saving Lives in Auschwitz by Yi Zheng
Cover of the book The Charmed Circle by Yi Zheng
Cover of the book Engineering in Pre-College Settings by Yi Zheng
Cover of the book "Cap" Cornish, Indiana Pilot by Yi Zheng
Cover of the book Traveling Blind by Yi Zheng
Cover of the book Come, Let Me Guide You by Yi Zheng
Cover of the book Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts by Yi Zheng
Cover of the book Of Levinas and Shakespeare by Yi Zheng
Cover of the book Kirby’s Way by Yi Zheng
Cover of the book Navigating Diversity and Inclusion in Veterinary Medicine by Yi Zheng
Cover of the book Unfinalized Moments by Yi Zheng
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy