From Realism to Abstraction

The Art of J. B. Taylor

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture, Art History
Cover of the book From Realism to Abstraction by Adriana Davies, University of Calgary Press
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Author: Adriana Davies ISBN: 9781552387481
Publisher: University of Calgary Press Publication: February 18, 2014
Imprint: University of Calgary Press Language: English
Author: Adriana Davies
ISBN: 9781552387481
Publisher: University of Calgary Press
Publication: February 18, 2014
Imprint: University of Calgary Press
Language: English

J. B. (Jack) Taylor (1917-1970) was an important figure in the history of Banff and western Canada’s artistic community. Inspired by the locale, Taylor spent his career striving to depict the idea of the mountain, moving over time from traditional representations of nature to an intuitive perception of the essential elements of landscape - rock, water, and sky. Always, he sought to capture his ideas through the development of a new visual language. He applied this new vernacular to a range of studies encompassing portraiture through to other landscapes. Filled with images of his work and photographs of his life as an artist and teacher in western Canada, this book is the first to focus completely on J.B. Taylor, his importance to the western Canadian and Banff artistic communities, and his role in the transition from traditional, eastern, North American and European landscape ideals and technique to a more abstract representation and the formation of a new aesthetic of the wilderness based on the mountains of the West.

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J. B. (Jack) Taylor (1917-1970) was an important figure in the history of Banff and western Canada’s artistic community. Inspired by the locale, Taylor spent his career striving to depict the idea of the mountain, moving over time from traditional representations of nature to an intuitive perception of the essential elements of landscape - rock, water, and sky. Always, he sought to capture his ideas through the development of a new visual language. He applied this new vernacular to a range of studies encompassing portraiture through to other landscapes. Filled with images of his work and photographs of his life as an artist and teacher in western Canada, this book is the first to focus completely on J.B. Taylor, his importance to the western Canadian and Banff artistic communities, and his role in the transition from traditional, eastern, North American and European landscape ideals and technique to a more abstract representation and the formation of a new aesthetic of the wilderness based on the mountains of the West.

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