Gendering the Crown in the Spanish Baroque Comedia

Fiction & Literature, Literary Theory & Criticism
Cover of the book Gendering the Crown in the Spanish Baroque Comedia by María Cristina Quintero, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: María Cristina Quintero ISBN: 9781317129608
Publisher: Taylor and Francis Publication: April 15, 2016
Imprint: Routledge Language: English
Author: María Cristina Quintero
ISBN: 9781317129608
Publisher: Taylor and Francis
Publication: April 15, 2016
Imprint: Routledge
Language: English

The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.

More books from Taylor and Francis

Cover of the book Culture by María Cristina Quintero
Cover of the book Neo-Piagetian Theories of Cognitive Development by María Cristina Quintero
Cover of the book Model Perspectives: Structure, Architecture and Culture by María Cristina Quintero
Cover of the book In Community of Inquiry with Ann Margaret Sharp by María Cristina Quintero
Cover of the book Erotic Ambiguities by María Cristina Quintero
Cover of the book Roots of Radicalism by María Cristina Quintero
Cover of the book Textual Liberation (Routledge Revivals) by María Cristina Quintero
Cover of the book The Divine and the Demonic by María Cristina Quintero
Cover of the book Employee Training And U.s. Competitiveness by María Cristina Quintero
Cover of the book The Routledge Companion to Nazi Germany by María Cristina Quintero
Cover of the book Capital Flows Without Crisis? by María Cristina Quintero
Cover of the book Shaping Sexual Knowledge by María Cristina Quintero
Cover of the book Business Bullshit by María Cristina Quintero
Cover of the book Critical Criminology by María Cristina Quintero
Cover of the book Conceptual and Procedural Knowledge by María Cristina Quintero
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy