Grand Opera Outside Paris

Opera on the Move in Nineteenth-Century Europe

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Grand Opera Outside Paris by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781315466439
Publisher: Taylor and Francis Publication: December 14, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781315466439
Publisher: Taylor and Francis
Publication: December 14, 2017
Imprint: Routledge
Language: English

Nineteenth-century French grand operawas a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Nineteenth-century French grand operawas a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

More books from Taylor and Francis

Cover of the book Ethnic and Racial Studies Today by
Cover of the book The Institutionalisation of Disaster Risk Reduction by
Cover of the book The Chapel and Burial Ground on St Ninian's Isle, Shetland: Excavations Past and Present: v. 32 by
Cover of the book Gigs by
Cover of the book A Pact with the Devil by
Cover of the book Writing National Histories by
Cover of the book Cash, Corruption and Economic Development by
Cover of the book British Student Activism in the Long Sixties by
Cover of the book Stitching the World: Embroidered Maps and Women’s Geographical Education by
Cover of the book Technical Foundations of Neurofeedback by
Cover of the book Public Relations for Management Success by
Cover of the book How Political Parties Respond by
Cover of the book Poverty and Low Income in the Nordic Countries by
Cover of the book Writing War in Britain and France, 1370-1854 by
Cover of the book Literature and Theology as a Grammar of Assent by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy