Grief and Women Writers in the English Renaissance

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Grief and Women Writers in the English Renaissance by Elizabeth Hodgson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elizabeth Hodgson ISBN: 9781316189832
Publisher: Cambridge University Press Publication: November 20, 2014
Imprint: Cambridge University Press Language: English
Author: Elizabeth Hodgson
ISBN: 9781316189832
Publisher: Cambridge University Press
Publication: November 20, 2014
Imprint: Cambridge University Press
Language: English

Grief and Women Writers in the English Renaissance anatomizes the era's powerful but troubling links between the forgettable dead and the living mourners who are implicated in the same oblivion. Four major women writers from 1570 to 1670 construct these difficult bonds between the spectral dead and the liminal mourner. Mary Sidney Herbert, Countess of Pembroke, reinvents the controversial substitutions of aristocratic funerals. New Protestant ideologies of the sainted dead connect devotional mourning and patronage in Aemelia Lanyer's writing. Mary Wroth's verse enacts a uniquely exalted, imaginative melancholy in which Jacobean subjects dissolve into their mourning artifacts. Among the precarious political mourners of the later half of the period, Katherine Philips's lyric verse plays the shell game of private grief. Forgetting, being forgotten, and being dead are risks that the dead and the living ironically share in these central texts by the English Renaissance's most illustrious women writers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Grief and Women Writers in the English Renaissance anatomizes the era's powerful but troubling links between the forgettable dead and the living mourners who are implicated in the same oblivion. Four major women writers from 1570 to 1670 construct these difficult bonds between the spectral dead and the liminal mourner. Mary Sidney Herbert, Countess of Pembroke, reinvents the controversial substitutions of aristocratic funerals. New Protestant ideologies of the sainted dead connect devotional mourning and patronage in Aemelia Lanyer's writing. Mary Wroth's verse enacts a uniquely exalted, imaginative melancholy in which Jacobean subjects dissolve into their mourning artifacts. Among the precarious political mourners of the later half of the period, Katherine Philips's lyric verse plays the shell game of private grief. Forgetting, being forgotten, and being dead are risks that the dead and the living ironically share in these central texts by the English Renaissance's most illustrious women writers.

More books from Cambridge University Press

Cover of the book Statistics for the Social Sciences by Elizabeth Hodgson
Cover of the book The European Commission and Bureaucratic Autonomy by Elizabeth Hodgson
Cover of the book Hi Hitler! by Elizabeth Hodgson
Cover of the book Whale-watching by Elizabeth Hodgson
Cover of the book Managing Change by Elizabeth Hodgson
Cover of the book After War Ends by Elizabeth Hodgson
Cover of the book From Treaty-Making to Treaty-Breaking by Elizabeth Hodgson
Cover of the book Brand Society by Elizabeth Hodgson
Cover of the book Shakespeare and Textual Studies by Elizabeth Hodgson
Cover of the book The Empire of Chance by Elizabeth Hodgson
Cover of the book Beyond Environmental Law by Elizabeth Hodgson
Cover of the book The Dynamics of International Law by Elizabeth Hodgson
Cover of the book On the Shoulders of Giants by Elizabeth Hodgson
Cover of the book Elementary Modern Standard Arabic: Volume 1, Pronunciation and Writing; Lessons 1-30 by Elizabeth Hodgson
Cover of the book Probability and Evidence by Elizabeth Hodgson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy