Halleck's New English Literature

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Halleck's New English Literature by Reuben Post Halleck, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Reuben Post Halleck ISBN: 9781465623737
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Reuben Post Halleck
ISBN: 9781465623737
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

Subject Matter and Aim.—The history of English literature traces the development of the best poetry and prose written in English by the inhabitants of the British Isles. For more than twelve hundred years the Anglo-Saxon race has been producing this great literature, which includes among its achievements the incomparable work of Shakespeare. This literature is so great in amount that the student who approaches the study without a guide is usually bewildered. He needs a history of English literature for the same reason that a traveler in England requires a guidebook. Such a history should do more than indicate where the choicest treasures of literature may be found; it should also show the interesting stages of development; it should emphasize some of the ideals that have made the Anglo-Saxons one of the most famous races in the world; and it should inspire a love for the reading of good literature. No satisfactory definition of "literature" has ever been framed. Milton's conception of it was "something so written to after times, as they should not willingly let it die." Shakespeare's working definition of literature was something addressed not to after times but to an eternal present, and invested with such a touch of nature as to make the whole world kin. When he says of Duncan:— "After life's fitful fever he sleeps well," he touches the feelings of mortals of all times and opens the door for imaginative activity, causing us to wonder why life should be a fitful fever, followed by an incommunicable sleep. Much of what we call literature would not survive the test of Shakespeare's definition; but true literature must appeal to imagination and feeling as well as to intellect. No mere definition can take the place of what may be called a feeling for literature. Such a feeling will develop as the best English poetry and prose: are sympathetically read.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Subject Matter and Aim.—The history of English literature traces the development of the best poetry and prose written in English by the inhabitants of the British Isles. For more than twelve hundred years the Anglo-Saxon race has been producing this great literature, which includes among its achievements the incomparable work of Shakespeare. This literature is so great in amount that the student who approaches the study without a guide is usually bewildered. He needs a history of English literature for the same reason that a traveler in England requires a guidebook. Such a history should do more than indicate where the choicest treasures of literature may be found; it should also show the interesting stages of development; it should emphasize some of the ideals that have made the Anglo-Saxons one of the most famous races in the world; and it should inspire a love for the reading of good literature. No satisfactory definition of "literature" has ever been framed. Milton's conception of it was "something so written to after times, as they should not willingly let it die." Shakespeare's working definition of literature was something addressed not to after times but to an eternal present, and invested with such a touch of nature as to make the whole world kin. When he says of Duncan:— "After life's fitful fever he sleeps well," he touches the feelings of mortals of all times and opens the door for imaginative activity, causing us to wonder why life should be a fitful fever, followed by an incommunicable sleep. Much of what we call literature would not survive the test of Shakespeare's definition; but true literature must appeal to imagination and feeling as well as to intellect. No mere definition can take the place of what may be called a feeling for literature. Such a feeling will develop as the best English poetry and prose: are sympathetically read.

More books from Library of Alexandria

Cover of the book Maxims and Reflections by Reuben Post Halleck
Cover of the book The Boy Nihilist, or, Young America in Russia by Reuben Post Halleck
Cover of the book Oriente by Reuben Post Halleck
Cover of the book Hymns of the Eastern Church by Reuben Post Halleck
Cover of the book Silverspur, The Mountain Heroine: A Tale of the Arapaho Country by Reuben Post Halleck
Cover of the book Father Brighthopes: An Old Clergyman's Vacation by Reuben Post Halleck
Cover of the book Love in the Suds: A Town Eclogue, Being the Lamentation of Roscius for the Loss of His NYKY by Reuben Post Halleck
Cover of the book American Slave Trade; or, an Account of the Manner in which the Slave Dealers take Free People from Some of the United States of America and Carry them Away and Sell them as Slaves in Other of the States by Reuben Post Halleck
Cover of the book On the Old Road: A Collection of Miscellaneous Essays and Articles on Art and Literature (Complete) by Reuben Post Halleck
Cover of the book 1601 by Reuben Post Halleck
Cover of the book The Talmud: Selections by Reuben Post Halleck
Cover of the book Women of the Romance Countries by Reuben Post Halleck
Cover of the book The Story of Eclipses by Reuben Post Halleck
Cover of the book Thrilling Adventures by Land and Sea by Reuben Post Halleck
Cover of the book Facing the German Foe by Colonel James Fiske by Reuben Post Halleck
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy