| Author: | Marcus Bourne Huish | ISBN: | 9781465617217 |
| Publisher: | Library of Alexandria | Publication: | March 8, 2015 |
| Imprint: | Language: | English |
| Author: | Marcus Bourne Huish |
| ISBN: | 9781465617217 |
| Publisher: | Library of Alexandria |
| Publication: | March 8, 2015 |
| Imprint: | |
| Language: | English |
To choose a title that will felicitously fit the lifework of an artist is no easy matter, especially when the product is a very varied one, and the producer is disposed to take a modest estimate of its value. In the present case the titles that have suggested themselves to one or other of those concerned in the selection have not been few, and a friendly contest has ensued over the desire of the artist on the one hand to belittle, and of author and publishers on the other to fairly appraise, both the ground which her work covers and the qualities which it contains. The first point to be considered in giving the volume a name was that it forms one of a series in which an endeavour—and, to judge by public appreciation, a successful endeavour—has been made to illustrate in colour an artist’s impressions of a particular country: as, for instance, Mr. John Fulleylove’s of the Holy Land, Mr. Talbot Kelly’s of Egypt, and Mr. Mortimer Menpes’s of Japan. Now Mrs. Allingham throughout her work has been steadfast in her adherence to the portrayal of one country only. She has never travelled or painted outside Europe, and within its limits only at one place outside the British Isles, namely, Venice. Even in her native country her work has been strictly localised. Neither Scotland nor Wales has attracted her attention since the days when she first worked seriously as an artist, and Ireland has only received a scanty meed, and that due to family ties. England, therefore, was the one and only name under which her work could be included within the series, and that has very properly been assigned to it. But it will be seen that to this has been added the prefix “Happy,” thereby drawing down the disapprobation of certain of the artist’s friends, who, recognising her as a resident in Hampstead, have associated the title with that alliterative one which the northern suburbs have received at the hands of the Bank Holiday visitant; and they facetiously surmise that the work may be called “’Appy England! By a Denizen of ’Appy ’Ampstead!”
To choose a title that will felicitously fit the lifework of an artist is no easy matter, especially when the product is a very varied one, and the producer is disposed to take a modest estimate of its value. In the present case the titles that have suggested themselves to one or other of those concerned in the selection have not been few, and a friendly contest has ensued over the desire of the artist on the one hand to belittle, and of author and publishers on the other to fairly appraise, both the ground which her work covers and the qualities which it contains. The first point to be considered in giving the volume a name was that it forms one of a series in which an endeavour—and, to judge by public appreciation, a successful endeavour—has been made to illustrate in colour an artist’s impressions of a particular country: as, for instance, Mr. John Fulleylove’s of the Holy Land, Mr. Talbot Kelly’s of Egypt, and Mr. Mortimer Menpes’s of Japan. Now Mrs. Allingham throughout her work has been steadfast in her adherence to the portrayal of one country only. She has never travelled or painted outside Europe, and within its limits only at one place outside the British Isles, namely, Venice. Even in her native country her work has been strictly localised. Neither Scotland nor Wales has attracted her attention since the days when she first worked seriously as an artist, and Ireland has only received a scanty meed, and that due to family ties. England, therefore, was the one and only name under which her work could be included within the series, and that has very properly been assigned to it. But it will be seen that to this has been added the prefix “Happy,” thereby drawing down the disapprobation of certain of the artist’s friends, who, recognising her as a resident in Hampstead, have associated the title with that alliterative one which the northern suburbs have received at the hands of the Bank Holiday visitant; and they facetiously surmise that the work may be called “’Appy England! By a Denizen of ’Appy ’Ampstead!”
